For most of humanity, most people were destined to live and die anonymously. To be 'somebody' in this world, a somebody whose opinions would be heard in any way beyond close friends, was a privilege very few had enjoyed. In this environment, there would eventually be no point for most people to continue to think of themselves as a 'unique individual'. It surely looks amazing in hindsight, how far we have come in less than two decades. This book is primarily about my journey to become a ‘somebody’ with something to say. Topics covered include how technology has enabled people like myself to have a voice, what it feels like to join the cultural conversation and take cultural stances, and participating in politics and the ‘culture wars’ through citizen journalism. I will also examine the bigger cultural impacts of this democratization of culture creation. Throughout this book, I will be telling my own story so far, as a cultural voice in this rapidly changing world. But I will also be illustrating the wider story of how profoundly the world changed, in these first two decades of the 21st century. The technology changed first, and that was groundbreaking enough, but I think that the greatest change was in the culture.

The early 21st century is a time of unprecedented opportunity for those coming of age. It is a time when many young adults set out to achieve their dreams, be it starting their own business, starting a political movement, or propelling themselves to superstardom. Angelle's dream is to become Cultural Royalty of Pacificland, thus achieving what her mother couldn't. Her vision is based on freedom, dreams, love and fairness for all. However, she soon finds that whilst change appears to be in the air, the resistance is often even greater. While the early 21st century is a time of opportunity for some, many people remain left behind, and tension and dissatisfaction is the order of the day in many areas of life. The increasing pitch of the culture wars, and the influence of global movements from the Tea Party to the Occupy Protests, also combine to make Pacificland a daily ideological warzone. Meanwhile, Pacificland gets caught up in a meaningless political stalemate, with reforms like marriage equality stalled seemingly forever. With her own dreams on the line, will Angelle stay true to her values? And if she does, will it be enough to make a positive difference? Life isn't meant to be easy, but are there rewards for the brave at the end? While Angelle's story is fictional, the perspective taken on the social and political movements of the 2000s and 2010s are inspired by real life accounts, and represent the very real perceptions of real people living today.

Natalie is a young trans woman living in the early 21st century. Her diaries chart both her own transition story, and the cultural and political events of the 2000s and 2010s in the US, UK and Australia. In the beginning, she had felt rejected by feminism all her life, and also decided to reject feminism. Feminism's complicated relationship with marriage equality, something she was passionate about, became yet another reason for her to reject feminism. However, as feminism changed, so did her perspective. Did Natalie ultimately decide to become a feminist? And if so, on what terms? From the author: “I could have written a manifesto of inclusive feminism, but I know that some of you would still be unconvinced. So instead here is a story, inspired by real life stories I have known. I am sure many of you will be convinced of the need for a more inclusive feminism after reading this. While Natalie's story is fictional, the perspective taken on both being trans and the social and political movements of the 2000s and 2010s are inspired by real life accounts, and represent the very real perceptions of real people living today. Stories like Natalie's are out there everywhere, and if feminism is to be truly inclusive and effective, the messages contained in this book should be seriously considered."

BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.