From a New York Times bestselling author, a savvy businesswoman and an assassin struggle to outwit each other in this sizzling romantic thriller from a "masterful storyteller" (USA Today). When Jordie Bennet and Shaw Kinnard lock eyes across the bar, something sparks. Jordie is intrigued by his dangerous vibe...and Shaw is there to kill her. Instead, Shaw abducts Jordie, hoping to get his hands on the $30 million her brother stole. Now on the run from the feds and a notorious criminal, Jordie and Shaw must rely on their wits to stay alive. With nonstop plot twists and sizzling sexual tension, Sting will keep you on the edge of your seat until its final pages.

The true story behind the film AMERICAN HUSTLE The Sting Man is the amazing inside story of Mel Weinberg, one of the most fascinating fast-buck operators to ever live, and the incredible scandals he masterminded. Hustling his way from the streets of the Bronx to hawking bogus businesses around the world, Weinberg netted millions and famously dreamed up Abscam—the infamous FBI-run sting operation of the late 1970’s that would bag seven congressmen and one U.S. senator.

The disappearance of Queensland schoolboy Daniel Morcombe was one of the most heartbreaking and confounding child abduction and murder cases of the century, spanning almost a decade prior to the eventual arrest of known pedophile Brett Peter Cowan, one of the original persons of interest. The story of the police sting that resulted in his confession reads like crime fiction, featuring an elaborately staged fake crime gang run by a 'Mr Big' that lured Cowan in with the promise of a hefty payout. The Sting takes you on a journey behind Australia's most sensational undercover bust, revealing extraordinary new details. It is a shocking insight into one of the country's most evil killers, and the operation that brought him down.

'A lush, thrilling page-turner humming with its own exquisite dark beauty. I loved it!' Eve Chase, author of The Glass House 'Fremantle builds the tension with delicious skill in this page-turning thriller' Times The compelling, transfixing novel about the bond between three sisters from the author of The Poison Bed _______ Three sisters. Three secrets. Three ways to fall . . . George Villiers is rich, powerful and has the King's ear. Doctor's daughter Hester is a mere servant - to be cast aside when he has done with her, especially since she is pregnant. Returning to her family, Hester vows that Villiers will never lay eyes on their son. She and her sisters Melis and Hope will protect the boy. But Villiers is a man who will not be defied. He will claim his son - and the secret letters he believes Hester has stolen. What can three defenceless women do against one very powerful man? Yet secret letters are a weakness - and, in the right hands, a weapon . . . _______ 'Rich and fascinating' Guardian 'Wonderfully inventive and darkly satisfying, this story of three sisters resonates with myth and mystery' Andrew Taylor, bestselling author of The Ashes of London 'Gripping and page-turning. Propels a trio of vivid women towards their complex destinies . . . Hugely enjoyable' V.B. Grey, author of the forthcoming Tell Me How It Ends

From Melville to Madoff, the Confidence Man is an essential American archetype. George Roy Hill’s 1973 film The Sting treats this theme with a characteristic dexterity. The movie was warmly received in its time, winning seven Academy Awards, but there were some who thought the movie was nothing more than a slight throwback. Pauline Kael, among others, felt Hill’s film was mechanical and contrived: a callow and manipulative attempt to recapture the box-office success of Robert Redford and Paul Newman’s prior pairing, Butch Cassidy & The Sundance Kid. Matthew Specktor’s passionate, lyric meditation turns The Sting on its head, on its side, and right-side-up in an effort to unpack the film’s giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opens The Sting up to disclose the subtle and stunning dimensions—sexual, political, and aesthetic—of Hill’s best film. Through Specktor’s lens, The Sting reveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.

Twelve-year-old March McQuin forgot rule number one for cat burglars, which is how he and his twin sister, Jules, found themselves dangling upside down twenty feet above a stone floor at three in the morning. Their target was a set of stunning diamonds and it should have been an easy job, in and out. Except another thief got there first. March and Jules were lucky to escape with their lives, and one measly stone.