When man and machine are one and the same, time moves differently. But it runs out all the same. The Asterion Dominion government has fallen, its rulers slain—but in the Dominion, the dead rarely stay that way. A doomsday clock rushes headlong toward the day the monstrous alien shapeshifters known as the Rasu will demand their next tribute of lives. When denied it, the Rasu will burn every Dominion world to the ground. Unless they can be stopped. Nika, Dashiel and their allies fight to hold onto the reins of power even as they search for a way to defeat the enemy. Their quest will take them from barren deserts to a remote wilderness to the hidden homeworld of an ancient, mysterious species, all to uncover a secret 700,000 years in the keeping. With everything they thought they knew now called into question and the reckoning at hand, the Asterions’ past, present and future will collide in a last daring gambit to save all three. ASTERION NOIR 700,000 years ago, the Asterions fled persecution for their pro-synthetic beliefs. In the safe harbor of a distant galaxy, they have evolved into a true biosynthetic race and built a thriving society upon the pillars of personal autonomy, mutual respect and boundless innovation. Now that society is fracturing at the seams. Beneath lies built upon lies, the shocking truth as to why threatens the future of not merely the Asterions, but all life in the universe. Cyberpunk and space opera collide in a thrilling new trilogy from the author of the epic Aurora Rhapsody space opera saga. Enter a world of technological wonders, exotic alien life, enthralling characters, captivating worlds—and a terrifying evil lurking in the void that will shatter it all. *** AMARANTHE UNIVERSE: --------------------------------------- ~ AURORA RHAPSODY ~ (should be read in order) AURORA RISING TRILOGY #1: STARSHINE (Aurora Rising Book One) #2: VERTIGO (Aurora Rising Book Two) #3: TRANSCENDENCE (Aurora Rising Book Three) AURORA RENEGADES TRILOGY #4: SIDESPACE (Aurora Renegades Book One) #5: DISSONANCE (Aurora Renegades Book Two) #6: ABYSM (Aurora Renegades Book Three) AURORA RESONANT TRILOGY #7: RELATIVITY (Aurora Resonant Book One) #8: RUBICON (Aurora Resonant Book Two) #9: REQUIEM (Aurora Resonant Book Three) #10: SHORT STORIES OF AURORA RHAPSODY (can be read at any time) ~ ASTERION NOIR TRILOGY ~ (a new entry point for the series - can be read before Aurora Rhapsody) #11: EXIN EX MACHINA (Asterion Noir Book 1) #12: OF A DARKER VOID (Asterion Noir Book 2) #13: THE STARS LIKE GODS (Asterion Noir Book 3) ~ RIVEN WORLDS ~ (should be read after Aurora Rhapsody and Asterion Noir) #14: CONTINUUM (Riven Worlds Book One) #15: INVERSION (Riven Worlds Book Two) #16: ECHO RIFT (Riven Worlds Book Three) #17: ALL OUR TOMORROWS (Riven Worlds Book Four) #18: CHAOTICA (Riven Worlds Book Five) #19: DUALITY (Riven Worlds Book Six) ~ COSMIC SHORES ~ (a new entry point for the series - each book can be read at any time and without reading any of the other books) #20: MEDUSA FALLING (A Cosmic Shores Novel) #21: THE THIEF (A Cosmic Shores Novel)

With 8 Pages of Black-and-White Photographs In this captivating history of stardom, Boston Globe film critic Ty Burr traces our obsession with fame from the dawn of cinema through the age of the Internet. Why do we obsess over the individuals we come to call stars? How has both the image of stardom and our stars' images changed over the past hundred years? What does celebrity mean if people can now become famous simply for being famous? With brilliant insight and entertaining examples, Burr reveals the blessings and the curses of celebrity for the star and the stargazer alike. From Mary Pickford and Charlie Chaplin, to Archie Leach (a.k.a. Cary Grant), Tom Cruise, and Julia Roberts, to such no-cal stars of today as the Kardashians and the new online celebrity, Gods Like Us is a journey through the fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately it's most culturally revealing.

Startling stories center the bodies, memories, myths, and relationships of Asian American women in “a voracious, probing collection, proof of how exhilarating the short story can be” (The New York Times Book Review, Editors’ Choice)—from the National Book Award “5 Under 35” honoree and author of Bestiary “Wise, energetic, funny, and wild, Gods of Want displays a boundless imagination anchored by the weight of ancestors and history.”—Kali Fajardo-Anstine, author of Sabrina & Corina and Woman of Light WINNER OF THE LAMBDA LITERARY AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Them, Book Riot In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser. In “Xífù,” a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In “Mariela,” two girls explore one another’s bodies for the first time in the belly of a plastic shark, while in “Virginia Slims,” a woman from a cigarette ad comes to life. And in “Resident Aliens,” a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets. With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.

Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.

Taking place in the years before World War II, the granite workers of Barre, Vermont are observed and described by Mr. Tiff, the immigrant school teacher. He watches as the people around him live through birth, marriage, and death, never speaking of their fear or the hard granite dust that kills the men who make their living in the sheds.