María Amparo Ruiz de Burton was the first female Mexican-American author to write in English. In her career she published two books: Who Would Have Thought It? and The Squatter and the Don and one play: Don Quixote de la Mancha: A Comedy in Five Acts: Taken From Cervantes' Novel of That Name.

Threshold Time provides an introductory survey of the cultural, social and political history of Mexican American and Chicano literature, as well as a new in-depth analyses of a selection of works that between them span a hundred years of this particular branch of American literature. The book begins its explorations of the ?passage of crisis? with Maria Amparo Ruiz de Burton's The Squatter and the Don, continues with Americo Paredes? George Washington Gomez, Tomas Rivera's ?And the Earth Did Not Devour Him, Richard Rodriguez's Hunger of Memory, and ends with Helena Maria Viramontes? Under the Feet of Jesus and Benjamin Alire Saenz? Carry Me Like Water. In order to do justice to the idiosyncrasies of the individual texts and the complexities they embrace, the analyses refer to a number of other texts belonging to the tradition, and draw on a wide range of theoretical approaches. The final chapter of Threshold Time brings the various readings together in a discussion circumscribed by the negotiations of a temporality that is strongly aligned with a sense of memory peculiar to the history of the Chicano presence in the United States of America.Table of ContentsAcknowledgements Introduction: The Open Totality of Thresholds I. A History of Borderland Routes II. Literary Blossoming III. Disillusion and Defiance in Maria Amparo Ruiz de Burton's The Squatter and the Don IV. The Appropriate(d) Hero: Americo Paredes? George Washington GomezV. Exercises in Liminality: Tomas Rivera's ?And the Earth Did Not Devour Him VI. The Dialogic Mind: The Education of Richard Rodriguez VII. Memories of Landscape1. The Meaning of Place in Helena Maria Viramontes? Under the Feet of Jesus 2: The Threshold ? Benjamin Alire Saenz? Carry Me Like Water VIII. The Aesthetics of Time in Chicano Literature Bibliography Index

The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.

The Squatter and the Don is Ruiz de Burton's most notable novel. The subjugated Californio inhabitants are unfairly moved from their homes, economically stifled and oppressed, while a few heroic persons are contemplating and planning a revolt.

A historical romance with an activist heart, and an impassioned critique of U.S. expansionism—with an introduction by Ana Castillo, author of So Far from God A fiercely partisan novel based on the author’s own experiences, The Squatter and the Don follows two families living near San Diego shortly after the United States’ annexation of California: the Alamares of the landed Mexican gentry, and the Darrells, the New Englanders who seek to claim the Alamares’ land. When young Clarence Darrell falls in love with Mercedes Alamar, the stage is set for a conflict that blends the personal with the political. A scathing critique of corporate capitalism, this story exposes the true historical plight of californios as their lands are taken away by a government with incestuous ties to the railroad monopoly—institutions laced with the greed and racism of nineteenth-century America’s expansionist agenda. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

"Problems of the land, squatter, and railroad interests in Alameda County, San Francisco, Los Angeles, and San Diego"--Baird & Greenwood.

In this book, Sharada Balachandran Orihuela examines property ownership and its connections to citizenship, race and slavery, and piracy as seen through the lens of eighteenth- and nineteenth-century American literature. Balachandran Orihuela defines piracy expansively, from the familiar concept of nautical pirates and robbery in international waters to postrevolutionary counterfeiting, transnational slave escape, and the illegal trade of cotton across the Americas during the Civil War. Weaving together close readings of American, Chicano, and African American literature with political theory, the author shows that piracy, when represented through literature, has imagined more inclusive and democratic communities than were then possible in reality. The author shows that these subjects are not taking part in unlawful acts only for economic gain. Rather, Balachandran Orihuela argues that piracy might, surprisingly, have served as a public good, representing a form of transnational belonging that transcends membership in any one nation-state while also functioning as a surrogate to citizenship through the ownership of property. These transnational and transactional forms of social and economic life allow for a better understanding of the foundational importance of property ownership and its role in the creation of citizenship.