Marcus Didius Alexander Postumus is a special boy. He is twelve, or perhaps eleven. He has two mothers and various possible fathers, so he worries who will take care of him. He is self-confident yet vulnerable, intelligent yet sinister. He knows not many people like him. When his birth mother, Thalia the snake-dancer, takes him to live with her troupe of exotic performers, Postumus sees it as useful experience even though it involves him mucking out menagerie cages. No one anticipates how much havoc he will wreak. On his first day a tragedy occurs. No one else cares, so Postumus decides he alone must solve this crime and impose retribution on the guilty. As son and brother to the famous investigators Falco and Albia, he knows murder is punished by execution. Postumus single-mindedly sets out to accomplish this, sidetracked by nothing, not even a rehearsal of Falco's legendary play, The Spook Who Spoke...

A classic in the black literary tradition, The Spook Who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy. Dan Freeman, the "spook who sat by the door," is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Chicago blacks as "Freedom Fighters" in this explosive, award-winning novel. As a story of one man's reaction to ruling-class hypocrisy, the book is autobiographical and personal. As a tale of a man's reaction to oppression, it is universal.

The “cool and scary”(San Francisco Chronicle) New York Times bestseller from the author of Pattern Recognition and Neuromancer. • spook (spo͞ok) n.: A specter; a ghost. Slang for “intelligence agent.” • country (ˈkən-trē) n.: In the mind or in reality. The World. The United States of America, New Improved Edition. What lies before you. What lies behind. • spook country (spo͞ok ˈkən-trē) n.: The place where we all have landed, few by choice. The place we are learning to live. Hollis Henry is a journalist, on investigative assignment for a magazine called Node, which doesn’t exist yet. Bobby Chombo apparently does exist, as a producer. But in his day job, Bobby is a troubleshooter for military navigation equipment. He refuses to sleep in the same place twice. He meets no one. And Hollis Henry has been told to find him... “A devastatingly precise reflection of the American zeitgeist.”—The Washington Post Book World

The setting for my novel, The Spook, is Nebraska Territory in MarchMay 1861, centered on Fort Laramie. The central character, J. D. Davis, is a guard for an inspector from the general land office who is investigating a fraudulent eighteen-township survey in the vicinity of the Niobrara River. A romance with and marriage to a widow with three children is weaved in the story. The inspector determines the fraud and undertakes to perform the contract and pursue the guilty party. The guilty fight back, attempting murder to stop the report. Davis kills the assassin among the defrauders, known as the Spook, and takes his horse. Davis possesses both a Spencer repeating rifle and a Whitworth sharpshooting rifle through the effort of his wealthy father. A dead shot from an early age with muzzle loaders, Davis has the first repeating rifle seen by the Brule Sioux Indians who are a threat to the surveying. A survivor of the destroyed defrauders sets the Brule Sioux Indians on the surveyors by shooting into the Brule village from a horse that is identified as the Spook horse. The Brule are divided partly because the Spook horse is seen in different places at the same times. A battle takes place in which Davis destroys an entire Brule force and has the army bury all the bodies in a mysterious place and way. The Sioux elders eventually confront Davis with their demand for the bodies, and an interesting finish to the novel takes place.

The first book from “a tireless champion of African history,” a novel that “challenged the theories that Blacks were inferior to whites” (New York Amsterdam News). Joel Augustus Roger’s seminal work from the Harlem Renaissance, this novel—first published in 1917—is a polemic against the ignorance that fuels racism. The central plot revolves around a train speeding to California, serviced by an African American porter named Dixon. On board is a United States senator from Oklahoma, a man obsessed by race who makes no attempts to hide his prejudice. Unable to sleep, the politician encounters Dixon in the smoking car, and thus ensues a debate about religion, science, and racial equality . . . “A bold discussion novel in which a cultured, well-travelled, black Pullman porter is drawn into a debate with a white passenger, a Southern senator, on the question of the superiority of the Anglo Saxon and the inferiority of the Negro.” —The Guardian “A genuine treasure. I still insist that From ‘Superman’ to Man is the greatest book ever written in English on the Negro by a Negro and I am glad to know that increasing thousands of black and white readers re-echo the high opinion of it which I had expressed some years ago.” —Hubert Henry Harrison “A stirring story, faithful to truth and helpful to a better understanding and feeling.” —Prof. George B. Foster, University of Chicago

The Spook's Blood is the tenth book in Joseph Delaney's terrifying Wardstone Chronicles – over 3 million copies sold worldwide! 'I am Siscoi, the Lord of Blood, the Drinker of Souls! Obey me now or you will suffer as few have suffered.' Thomas Ward's final battle with the Fiend is drawing near, but he has never felt more alone in his task. Isolated and afraid, Tom must risk his life against a ferocious vampire god, even as he learns that the final destruction of the Fiend may involve a sacrifice more terrible than he can imagine . . .