“Mike Allen will infect your subconscious with hallucinatory and alarming delight. This book is a must-read for fans of weird fiction and dark fantasy.” —Helen Marshall, World Fantasy Award-winning author of Gifts for the One who Comes After The Spider Tapestries, Mike Allen’s sophomore short story collection, takes a wrecking ball to genre boundaries, showcasing seven stories that mix transhuman noir, Lovecraftian horror, and surrealistic sorcery in an exploration of the further reaches of the Weird. Readers who savored the disorienting strangeness in Allen’s debut collection Unseaming, a Shirley Jackson Award finalist and Amazon.com horror fiction bestseller, will find The Spider Tapestries begins where Unseaming left off. As Nicole Kornher-Stace, author of Archivist Wasp, explains in her introduction, “Allen outdoes himself even further, borrowing and synthesizing across genres with gleeful abandon....This results in stories like ‘Twa Sisters,’ with an atmosphere and setting as if Heironymous Bosch had been brought in as a consultant on Blade Runner. Or ‘Sleepless, Burning Life,’ which, with simultaneous nods to steampunk and metaphysics, explores and upends the familiar trope of Mortal Chosen by the Gods.” More praise for The Spider Tapestries “Elegant language and surrealistic themes defy genre and moral expectations in the weird and transgressive stories found in this collection... Allen’s pairing of individualistic suffering and cosmic hugeness evokes a lyrical friction between dread and wonder.” ­— Publishers Weekly “The seven stories in this slim collection range from dark fantasy to sf to horror—sometimes all within one tale. There are enough spiders here to make an arachnophobe go into hysterics, but they are not the only ones spinning webs ... Allen weaves intriguing connections among his tales, applying dizzying, sensual images.” ­— Library Journal “The aptly named Spider Tapestries forms a stunning picture that is equal parts darkness and light . . . a whirlwind tour through worlds of decadent fantasy, noir-touched future-weird, and elegant horror. Mike Allen offers up intricate mythologies that feel real and lived in, rich-detailed stories for readers to immerse themselves in, and from which they will emerge changed. The stories feel epic in scope, from an assassin climbing through the clockwork gears of the world to rescue a goddess in a cage, to an AI moving through bodies and networks to gather up and reassemble the pieces of his lost love. Allen takes readers on a journey through years and worlds, all in the space of a few pages.” —A.C. Wise, author of The Ultra Fabulous Glitter Squadron Saves the World Again “There was a time before the marketplace sliced our wild fantastic literature into bite sized chunks, a time when visions could be astounding, amazing, and weird all at once, a time when Clark Ashton Smith could mainline a Thousand and One Nights into million-colored suns. Now comes Mike Allen, shredding raw that scar-woven shroud between then, now, and infinity, releasing hallucinatory torrents of jewel-encrusted erotic transhumanism with the intensity of a quasar and stripping bare the secret wheels and cogs of the universe beside those lovers who would destroy them.” —Scott Nicolay, World Fantasy Award-winning author of Do You Like to Look at Monsters? “Mike Allen, among the most dynamic of contemporary fantasists, habitually upends Lovecraftian tropes with his own brand of cosmic horror.” —Laird Barron, Bram Stoker Award-winning author of X’s for Eyes

Louise Bourgeois' tapestry and needlepoint work deals with reparation in both a literal and metaphorical sense. In many of the works, fragmented tapestries are pieced together and repaired to create new sculptural forms. The recurring practices of weaving, stitching and mending express Bourgeois' identification with her childhood and the family business of tapestry restoration. Coupled with the medium of tapestry, Bourgeois' recurring motif of the spider symbolizes her mother, a weaver, and fully explores the complex relationship between mother and child. This publication includes archival photographs and facsimile documents from the Bourgeois family archive, as well as excerpts from the artist's psychoanalytical writings.

Navajo rugs set the gold standard for handwoven textiles in the U.S. But what about the people who create these treasures? Spider Woman's Children is the inside story, told by two women who are both deeply embedded in their own culture and considered among the very most skillful and artistic of Navajo weavers today. Barbara Teller Ornelas and Lynda Teller Pete are fifth-generation weavers who grew up at the fabled Two Grey Hills trading post. Their family and clan connections give them rare insight, as this volume takes readers into traditional hogans, remote trading posts, reservation housing neighborhoods, and urban apartments to meet weavers who follow the paths of their ancestors, who innovate with new designs and techniques, and who uphold time-honored standards of excellence. Throughout the text are beautifully depicted examples of the finest, most mindful weaving this rich tradition has to offer.

Award-winning creators, Amy Novesky and Isabelle Arsenault, present a picture book biography of a beloved artist in Cloth Lullaby: The Woven Life of Louise Bourgeois. Louise Bourgeois (1911–2010) was a world-renowned modern artist noted for her sculptures made of wood, steel, stone, and cast rubber. Her most famous spider sculpture, Maman, stands more than 30 feet high. Just as spiders spin and repair their webs, Louise’s own mother was a weaver of tapestries. Louise spent her childhood in France as an apprentice to her mother before she became a tapestry artist herself. She worked with fabric throughout her career, and this biographical picture book shows how Bourgeois’s childhood experiences weaving with her loving, nurturing mother provided the inspiration for her most famous works. With a beautifully nuanced and poetic story, this book stunningly captures the relationship between mother and daughter and illuminates how memories are woven into us all. “With evocative, gorgeous illustrations and an inspirational story of an artist not often covered in children’s literature, this arresting volume is an excellent addition to nonfiction picture book collections, particularly those lacking titles about women artists.” —Booklist, starred review

Financial Times Book of the Year The extraordinary artist, the spider woman, the intellectual, the rebel, the sly enchantress, and the “good girl” sing together in this exuberant, lithe text beautifully translated by Cole Swensen. This brilliant portrait of the renowned artist Louise Bourgeois (1911–2010) shows a woman who was devoted to her art and whose life was also that of her century. The art world’s grande dame and its shameless old lady, spinning personal history into works of profound strangeness, speaks with her characteristic insolence and wit, through a most discreet, masterful writer. From her childhood in France to her exile and adult life in America, to her death, this phosphorescent novella describes Bourgeois’s inner life as only one artist regarding another can. Included as an afterword is Frémon’s essay about his own “portrait writing” and how he came to know and work with Louise Bourgeois.

"Ball takes us on an inspiring journey into the depths of nature, encompassing all the sciences, in which we discover that broad and elegant principles underpin the formation of the countless beautiful patterns around us."--Inside jacket.

As Germany launches a successful invasion of England during World War II, American historian Mary Wooler, her warrior son Gary, and Ben Kaman, a Jewish refugee, become caught in the middle of the conflict as a dark conspiracy threatens to destroy the very fabric of time itself.