This early work by William J. Wintle was originally published in 1921 and we are now republishing it as part of our Cryptofiction Classics series. 'The Spectre Spiders' is a short story about a man whose life and dreams are plagued by spiders. He started writing in his thirties, and during the early part of the 20th century produced two much-circulated essays: “Life in Our New Century” (1901) and “Can You Explain It? True Stories of the Ghost World” (1903). Later, he turned to fiction, producing a number of well-remembered stories, including “The Red Rosary”, “When the Twilight Fell”, “The House on the Cliff”, “The Ghost at the Blue Dragon”, “The Spectre Spiders”, “The Footsteps on the Stairs”, “The Chamber of Doom”, “When Time Stood Still”, and “The Black Cat”. These and others were collected in a 1921 collection entitled Ghost Gleams. Wintle died in 1934, aged 73. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

This early work by Hans Heinz Ewers was originally published in 1915 and we are now republishing it as part of our Cryptofiction Classics series. 'The Spider' is a short story of black magic based on 'The Mysterious Sketch' by Erckmann-Chatrian. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the late 19th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Weird Tales of Creepy Crawlies' contains a collection of short stories about mysterious insects and arachnids, and includes 'The Strong Spider' by Edgar Allan Poe (1846), 'The Messenger' by Robert W. Chambers (1897), 'The Empire of the Ants' by by H. G. Wells (1905), and many more. The stories in this collection were mostly written around the turn of the century. And most of them reflect what has been a pretty consistent human reaction to insects, as evidenced throughout the literary tradition – fascination and disgust, in equal measure. Despite the Romantics' best efforts, the perception of insects as repulsive, threatening and unclean – the carriers of pestilence and plague in the bible; the exemplifiers of foulness in Shakespeare – has never quite gone away. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume IV.' contains a collection of short stories that include 'The Cats of Ulthar' by H. P. Lovecraft, 'Running Wolf' by Algernon Blackwood, 'The Horror-Horn' by E. F. Benson, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating.