Genealogy of the formation of race and gender hierarchies in the U.S.

Top Three Finalist for the 2010 John Hope Franklin Publication Prize presented by the American Studies Association Theories of intersectionality have fundamentally transformed how feminists and critical race scholars understand the relationship between race and gender, but are often limited in their focus on contemporary experiences of interlocking oppressions. In The Specter of Sex, Sally L. Kitch explores the "backstory" of intersectionality theory—the historical formation of the racial and gendered hierarchies that continue to structure U.S. culture today. Kitch uses a genealogical approach to explore how a world already divided by gender ideology became one simultaneously obsessed with judgmental ideas about race, starting in Europe and the English colonies in the late seventeenth century. Through an examination of religious, political, and scientific narratives, public policies and testimonies, laws, court cases, and newspaper accounts, The Specter of Sex provides a rare comparative study of the racial formation of five groups—American Indians, African Americans, Latinos, Asian Americans, and European whites—and reveals gendered patterns that have served white racial dominance and repeated themselves with variations over a two-hundred-year period.

Explores the significance of Indian control spirits as a dominating force in nineteenth-century American Spiritualism. The Specter of the Indian unveils the centrality of Native American spirit guides during the emergent years of American Spiritualism. By pulling together cultural and political history; the studies of religion, race, and gender; and the ghostly, Kathryn Troy offers a new layer of understanding to the prevalence of mystically styled Indians in American visual and popular culture. The connections between Spiritualist print and contemporary Indian policy provide fresh insight into the racial dimensions of social reform among nineteenth-century Spiritualists. Troy draws fascinating parallels between the contested belief of Indians as fading from the world, claims of returned apparitions, and the social impetus to provide American Indians with a means of existence in white America. Rather than vanishing from national sight and memory, Indians and their ghosts are shown to be ever present. This book transports the readers into dimly lit parlor rooms and darkened cabinets and lavishes them with detailed séance accounts in the words of those who witnessed them. Scrutinizing the otherworldly whisperings heard therein highlights the voices of mediums and those they sought to channel, allowing the author to dig deep into Spiritualist belief and practice. The influential presence of Indian ghosts is made clear and undeniable.

"Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination of censorship to show how these issues arise from and comment on the sociohistorical reality of contemporary Brazilian society. Foster organizes his study around three broad themes: construction of masculinity, constructions of feminine and feminist identities, and same-sex positionings and social power. Within his discussions of individual films ranging from Jorge um brasileiro to A hora da estrela to Beijo no asfalto, he offers new ways of understanding national ideals and stereotypes, sexual dissidence (homoeroticism and transgenderism), heroic models, U.S./Brazilian relations, revolutionary struggle, and human rights violations. As the first study of Brazilian cinematic representations of gender ideology in English or Portuguese, this book will be important reading in film and cultural studies.

Revisits the sex wars of the 1970s and ’80s and examines their influence on how we think about sexual harm in the #MeToo era #MeToo’s stunning explosion on social media in October 2017 radically changed—and amplified—conversations about sexual violence as it revealed how widespread the issue is and toppled prominent celebrities and politicians. But, as the movement spread, a conflict emerged among feminist supporters and detractors about how punishment should be doled out and how justice should be served. The New Sex Wars reveals that these clashes are nothing new. Delving into the contentious debates from the ’70s and ‘80s, Brenda Cossman traces the striking echoes in the feminist divisions of this earlier period. In exploring the history of past conflicts—the resistance to finding common ground, the media’s pleasure in portraying the debates as polarized cat fights, the simplification of viewpoints as pro- and anti-sex—she shows how they have come to shape the #MeToo era. From the ’70s to today, Cossman examines tensions between the need for recognition and protection under the law, and the colossal and ongoing failure of that law to redress historic injustice. By circumventing law altogether, #MeToo has led us to question whether justice can be served outside of the courtroom. Cossman argues for a different way forward—one based on reparative models that focus on shared desired outcomes and the willingness to understand the other side. Thoughtful and compelling, The New Sex Wars explores what can been learned from these stories, what traps we repeatedly fall into, how we have been denied our anger, and where to begin to make law work.

A SUNDAY TIMES BESTSELLERBLACKWELL'S BOOK OF THE YEAR 2021Essential lessons on the world we live in, from one of our greatest young thinkers - a guide to what everybody is talking about today'Unparalleled and extraordinary . . . A bracing revivification of a crucial lineage in feminist writing' JIA TOLENTINO'I believe Amia Srinivasan's work will change the world' KATHERINE RUNDELL'Rigorously researched, but written with such spark and verve. The best non-fiction book I have read this year' PANDORA SYKES-------------------------How should we talk about sex? It is a thing we have and also a thing we do; a supposedly private act laden with public meaning; a personal preference shaped by outside forces; a place where pleasure and ethics can pull wildly apart. To grasp sex in all its complexity - its deep ambivalences, its relationship to gender, class, race and power - we need to move beyond 'yes and no', wanted and unwanted. We need to rethink sex as a political phenomenon. Searching, trenchant and extraordinarily original, The Right to Sex is a landmark examination of the politics and ethics of sex in this world, animated by the hope of a different one.SHORTLISTED FOR THE ORWELL PRIZE 2022LONGLISTED FOR THE POLARI FIRST BOOK PRIZE 2022LONGLISTED FOR THE BRITISH ACADEMY BOOK PRIZE 2022

Same-sex marriage has become one of the defining social issues in contemporary U.S. politics. State court decisions finding in favor of same-sex relationship equality claims have been central to the issue’s ascent from nowhere to near the top of the national political agenda. Same Sex Marriage in the United States tells the story of the legal and cultural shift, its backlash, and how it has evolved over the past 15 years. This book aids in a classroom examination of the legal, political, and social developments surrounding the issue of same-sex marriage in the United States. While books about same-sex marriage have proliferated in recent years, few, if any, have provided a clear and comprehensive account of the litigation for same-sex marriage, and its successes and failures, as this book does. Updated through 2013, this edition details the watershed rulings in favor of same-sex marriage: the Supreme Court's June 26th repeal of DOMA, and of Proposition 8 in California, as well as the many states (New Jersey, Illinois, New Mexico, Hawaii, and Nevada among others) where activists and public leaders have made recent strides to ensure that gay couples have an equal right to marry.