Modern Texas, like Mexico to the south, traces its beginning to sixteenth-century encounters between Spaniards, Native American peoples, and a vast land unexplored by Europeans. Unlike Mexico, however, Texas eventually received the stamp of Anglo-American culture, so that Spanish contributions to present-day Texas tend to be obscured or even unknown. In this pathfinding study, Donald E. Chipman draws on archival and secondary sources to write the story of Spain's three-hundred-year presence and continuing influence in the land that has become Texas. Chipman begins with the first European sighting of Texas shores in 1519. He goes on to chronicle the amazing eight-year (1528-1536) trek across much of southern Texas and northern Mexico that brought Cabeza de Vaca and three companions from a shipwreck near Galveston Island all the way to Mexico City. He records the exploits of Francisco Vazquez de Coronado and Luis Moscoso in the early 1540s and the subsequent 150-year hiatus in Spanish exploration in Texas. Chipman devotes much attention to the eighteenth century, a time of active Spanish colonization. He examines the role of missions, presidios, and civil settlements and discusses relations between the Spanish and other groups, including Native Americans, French explorers, and Anglo-Americans. Although Mexican independence ended the Spanish era in 1821, Chipman finds that Spain has left a substantial legacy in modern Texas. Ranching and its terminology sprang from Spanish vaqueros. Spanish precedents have shaped modern Texas law in the areas of judicial procedure, land and water law, and family law. Spanish influences abound in Texas art, architecture, music, and theater, not to mentionthe widely spoken Spanish language. And the Roman Catholic religion introduced by the Spaniards continues to have many adherents in Texas. In short, the rich history of Spain in Texas deserves to be widely known by "Texana buffs" and professional historians alike, and Spanish Texas, 1519-1821 is the one-volume source to consult.

Colonial Legacies in Chicana/o Literature and Culture exposes the ways in which colonialism is expressed in the literary and cultural production of the U.S. Southwest, a region that has experienced at least two distinct colonial periods since the sixteenth century. Vanessa Fonseca-Chávez traces how Spanish colonial texts reflect the motivation for colonial domination. She argues that layers of U.S. colonialism complicate how Chicana/o literary scholars think about Chicana/o literary and cultural production. She brings into view the experiences of Chicana/o communities that have long-standing ties to the U.S. Southwest but whose cultural heritage is tied through colonialism to multiple nations, including Spain, Mexico, and the United States. While the legacies of Chicana/o literature simultaneously uphold and challenge colonial constructs, the metaphor of the kaleidoscope makes visible the rupturing of these colonial fragments via political and social urgencies. This book challenges readers to consider the possibilities of shifting our perspectives to reflect on stories told and untold and to advocate for the inclusion of fragmented and peripheral pieces within the kaleidoscope for more complex understandings of individual and collective subjectivities. This book is intended for readers interested in how colonial legacies are performed in the U.S. Southwest, particularly in the context of New Mexico, Texas, and Arizona. Readers will relate to the book’s personal narrative thread that provides a path to understanding fragmented identities.

Dew on the Thorn seeks to recreate the life of Texas Mexicans as Anglo culture was gradually encroaching upon them. Gonzalez provides us with a richly detailed portrait of South Texas, focusing on the cultural traditions of Texas Mexicans at a time when the divisions of class and race were pressing on the established way of life.