The authors of these essays are an interdisciplinary team of anthropologists and historians who have combined the research methods of both fields to present a comprehensive study of their subject. Published in 1979, the book takes an ethnohistorical approach and touches on the history, anthropology, and sociology of the South as well as on Native American studies. While much has been written on the archaeology, ethnography, and early history of southern Indians before 1840, most scholarly attention has shifted to Oklahoma and western Indians after that date. In studies of the New South or of Indian adaptation after the passage of the frontier, southeastern native peoples are rarely mentioned. This collection fills that void by providing an overview history of the culture and ethnic relations of the various Indian groups that managed to escape the 1830s removal and retain their ethnic identity to the present.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

With essays by Stephen Davis, Penelope Drooker, Patricia K. Galloway, Steven Hahn, Charles Hudson, Marvin Jeter, Paul Kelton, Timothy Pertulla, Christopher Rodning, Helen Rountree, Marvin T. Smith, and John Worth The first two-hundred years of Western civilization in the Americas was a time when fundamental and sometimes catastrophic changes occurred in Native American communities in the South. In The Transformation of the Southeastern Indians, 1540–1760, historians, anthropologists, and archaeologists provide perspectives on how this era shaped American Indian society for later generations and how it even affects these communities today. This collection of essays presents the most current scholarship on the social history of the South, identifying and examining the historical forces, trends, and events that were attendant to the formation of the Indians of the colonial South. The essayists discuss how Southeastern Indian culture and society evolved. They focus on such aspects as the introduction of European diseases to the New World, long-distance migration and relocation, the influences of the Spanish mission system, the effects of the English plantation system, the northern fur trade of the English, and the French, Dutch, and English trade of Indian slaves and deerskins in the South. This book covers the full geographic and social scope of the Southeast, including the indigenous peoples of Florida, Virginia, Maryland, the Appalachian Mountains, the Carolina Piedmont, the Ohio Valley, and the Central and Lower Mississippi Valleys.

William Bartram traveled throughout the American Southeast from 1773-1776. He occupies a unique place as an American Enlightenment explorer, naturalist, writer, and artist whose work was widely admired in his time and thereafter. Coleridge, the Wordsworths, and other leading romantics found inspiration in his pages. Bartram's most famous work, Travels has remained in print since the first publication of the book in 1791. However, his writings on Indians have received less attention than they deserve. ø This volume contains all of Bartram's known writings on Native Americans: a new version of "Observations on the Creek and Cherokee Indians," originally edited by E. G. Squier and first published in 1853; a previously unpublished essay, "Some Hints and Observations Concerning the Civilization of the Indians, or Aborigines of America"; and extensive excerpts from Travels. These documents are among the most valuable accounts we have of the Creeks and Seminoles in the last half of the eighteenth century. Several illustrations by Bartram are also included. ø The editors provide information on the history of these documents and supply extensive annotations. The book opens with a biographical essay on Bartram and concludes with a thorough evaluation of his contributions to southeastern Indian ethnohistory, anthropology, and archaeology. The editors have identified and corrected a number of errors found in the extant literature concerning Bartram and his writings.

Myths and stories of the Creek, Hitchiti, Alabama, Koasati, and Natchez Indians.

Has a teacher's guide.