This in-depth study of the classical Hindi tradition brings the world of Mughal-era poetry and court culture alive for an English readership. Allison Busch draws on the perspectives of literary, social, and intellectual history to elucidate one of premodern India's most significant textual traditions, documenting the dramatic rise of a new type of professional Hindi writer while providing critical insight into the motives that animated this literary community and its patrons. Busch examines how riti literature served as an important aesthetic and political resource in the richly multicultural world of Mughal India, and provides, for the first time in a Western language, a detailed study of the fascinating oeuvre of Keshavdas, whose seminal Rasikpriya (Handbook for poetry connoisseurs, 1591) was the catalyst for a new Hindi classicism that attracted a spectacular following in the leading courts of early modern India. The circulation of Hindi literature among diverse communities during this period is testament to a remarkable pluralism that cannot be understood in terms of the nationalist logic that has constrained modern Hindi and Urdu to be "Hindu" and "Muslim" languages since the nineteenth century. With the cultural reforms ushered in by colonialism, north Indians repudiated the classical traditions of the courtly past, a complex process given extended treatment in the final chapter. Busch provides valuable insight into more than two centuries of Hindi courtly culture. Poetry of Kings also showcases the importance of bringing precolonial archives into dialogue with current debates of postcolonial theory.

The Toby Edition brings together the earliest and last editions of Leaves of Grass, together with other major works of the writer, including such seminal works as Song of Myself, I Sing the Body Electric, and Democratic Vistas. It includes an introductory essay and chronology by the editor, Shira Wolosky, Professor of English and American Literature at the Hebrew University of Jerusalem. --Toby Press.

The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.

Joseph R. Allen's new edition of The Book of Songs restores Arthur Waley's definitive English translations to the original order and structure of the two-thousand-year-old Chinese text. One of the five Confucian classics, The Book of Songs is the oldest collection of poetry in world literature and the finest treasure of traditional songs that antiquity has left us. Arthur Waley's translations, now supplemented by fifteen new translations by Allen, are superb; the songs speak to us across millennia with remarkable directness and power. Where the other Confucian classics treat "outward things, deeds, moral precepts, the way the world works", Stephen Owen tells us in his foreword, The Book of Songs is "the Classic of the human heart and the human mind".

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.

The extraordinary writings of Phillis Wheatley, a slave girl turned published poet In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral. This volume collects both Wheatley's letters and her poetry: hymns, elegies, translations, philosophical poems, tales, and epyllions--including a poignant plea to the Earl of Dartmouth urging freedom for America and comparing the country's condition to her own. With her contemplative elegies and her use of the poetic imagination to escape an unsatisfactory world, Wheatley anticipated the Romantic Movement of the following century. The appendices to this edition include poems of Wheatley's contemporary African-American poets: Lucy Terry, Jupiter Harmon, and Francis Williams. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.