With contributions from seven of Mexico's finest journalists, this is reportage at its bravest and most necessary - it has the power to change the world's view of their country, and by the force of its truth, to start to heal the country's many sorrows. Supported the Arts Council Grant's for the Arts Programme and by PEN Promotes Veering between carnival and apocalypse, Mexico has in the last ten years become the epicentre of the international drug trade. The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up. Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.

On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernández reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernández demolishes the Mexican state’s official version, which the Peña Nieto government cynically dubbed the “historic truth”. As her research shows, state officials at all levels, from police and prosecutors to the upper echelons of the PRI administration, conspired to put together a fake case, concealing or manipulating evidence, and arresting and torturing dozens of “suspects” who then obliged with full “confessions” that matched the official lie. By following the role of the various Mexican state agencies through the events in such remarkable detail, Massacre in Mexico shows with exacting precision who is responsible for which component of this monumental crime.

Seminal essays on how women adapt to the structural transformations caused by the large migration from Mexico to the U.S.A., how they create or contest representations of their identities in light of their marginality, and give voice to their own agency.

A tale of love and conquest, "full of page-turning situations...worthy of a García Lorca drama" (San Francisco Chronicle). A historical novel about the conquistador Cortés and the Aztec princess Malintzín, by a "stunning" (New York Times Book Review) writer. Night of Sorrows plunges readers into the conflicting New Worlds of the mysterious Malintzín, born as an Aztec princess and sold as a slave, and her dashing and ruthless lover-master, conquistador Hernán Cortés. As they march through the Empire of the Sun to the shimmering island metropolis, Tenochtítlan (Mexico City), Cortés advances his cause by winning friends through Machiavellian conniving and confronting enemies in merciless battle. We witness the volatile dynamics and multifarious intrigues of the commander and his temperamental compadres, and weather the heartbreaking inner odyssey of Malintzín. Set at the twilight of the Aztec empire—April 1519 through the night of sorrows, la noche triste, June 30, 1520—Night of Sorrows explores the nature of slavery and imperialism, prostitution, friendship, feminine identity, and the macho ideal. Combining historical and fictional characters, Frances Sherwood's new novel is the story of a spectacular clash of traditions, imbued with her characteristic humor and bringing to life the colors, smells, and sounds of Mexico. Reading group guide included.

INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book This deeply personal perspective from a human rights lawyer—whose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteen—reframes the United States' history as a nation of immigrants but also a nation against immigrants. In the summer of 2018, Efrén C. Olivares found himself representing hundreds of immigrant families when Zero Tolerance separated thousands of children from their parents at the U.S.-Mexico border. Twenty-five years earlier, he had been separated from his own father for several years when he migrated to the U.S. to work. Their family was eventually reunited in Texas, where Efrén and his brother went to high school and learned a new language and culture. By sharing these gripping family separation stories alongside his own, Olivares gives voice to immigrants who have been punished and silenced for seeking safety and opportunity. Through him we meet Mario and his daughter Oralia, Viviana and her son Sandro, Patricia and her son Alessandro, and many others. We see how the principles that ostensibly bind the U.S. together fall apart at its borders. My Boy Will Die of Sorrow reflects on the immigrant experience then and now, on what separations do to families, and how the act of separation itself adds another layer to the immigrant identity. Our concern for fellow human beings who live at the margins of our society—at the border, literally and figuratively—is shaped by how we view ourselves in relation both to our fellow citizens and to immigrants. He discusses not only law and immigration policy in accessible terms, but also makes the case for how this hostility is nothing new: children were put in cages when coming through Ellis Island, and Japanese Americans were forcibly separated from their families and interned during WWII. By examining his personal story and the stories of the families he represents side by side, Olivares meaningfully engages readers with their assumptions about what nationhood means in America and challenges us to question our own empathy and compassion.

In 2005, after publishing her book The Demons of Eden—where she denounced the very powerful men behind the a Mexican child pornography ring—Lydia Cacho became a target. Exactly eight months after the publication of the book, one morning as she was making her way to work, Lydia was apprehended by the police from the neighboring state of Puebla, and taken into custody during a nightmarish 24 hours during which she was tortured, intimidated and abused. In this chilling memoir, comparable to Ayaan Hirsi Ali's Infidel, Lydia tells her story and exposes the horrific ways in which women—and young girls in particular—are abused then disposed of, while an oftentimes corrupt government simply sits and watches.