The complete, definitive study of Michael Jackson's artistic legacy. This is the only book that tells the story behind every single song that the King of Pop ever released - from his formative years with the Jackson Five to his incredible and much-loved output as a solo artist. Over 200 songs, videos and revolutionary dance moves are analysed, uncovering the fascinating stories around their creation and allowing fans the chance to truly understand the artistry behind them. Written by two Michael Jackson experts - the creators of the MJ Data Bank and MJ Stranger websites and editor-in-chief of Michael Jackson magazine, Invincible - this is the definitive book for Michael Jackson fans.

WINNER OF THE 2018 JOHN BURROUGHS MEDAL FOR OUTSTANDING NATURAL HISTORY WRITING “Both a love song to trees, an exploration of their biology, and a wonderfully philosophical analysis of their role they play in human history and in modern culture.” —Science Friday The author of Sounds Wild and Broken and the Pulitzer Prize finalist The Forest Unseen visits with nature’s most magnificent networkers — trees David Haskell has won acclaim for eloquent writing and deep engagement with the natural world. Now, he brings his powers of observation to the biological networks that surround all species, including humans. Haskell repeatedly visits a dozen trees, exploring connections with people, microbes, fungi, and other plants and animals. He takes us to trees in cities (from Manhattan to Jerusalem), forests (Amazonian, North American, and boreal) and areas on the front lines of environmental change (eroding coastlines, burned mountainsides, and war zones.) In each place he shows how human history, ecology, and well-being are intimately intertwined with the lives of trees. Scientific, lyrical, and contemplative, Haskell reveals the biological connections that underpin all life. In a world beset by barriers, he reminds us that life’s substance and beauty emerge from relationship and interdependence.

An updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career. Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

Take a deep dive into the innovative recording history of Led Zeppelin, in this newest addition to the fan-favorite All the Songs series. Fifty years after their first practice in a Soho basement, Led Zeppelin continues to fascinate new generations of listeners. While their legendary back-stage debauchery has been written about extensively in other books, All the Songs is all about the music, detailing the studio magic and inspiration that made all nine albums go platinum, including Led Zeppelin IV which was certified x23 platinum and has sold more than 37 million copies worldwide. Studio stories will include their productive time at Headley Grange in Wales, a poorly-heated former poorhouse where they recorded parts of Led Zeppelin III, Led Zeppelin IV, Houses of the Holy and Physical Graffiti. And how the first album was recorded in three weeks but their second took six months, done while the band was on a world tour. They carried the masters of the recording session in a steamer trunk wherever they went. Out of these chaotic sessions came the "Whole Lotta Love," which was finished in New York with Hendrix engineer Eddie Kramer helping create the psychedelic middle part, as well as "The Lemon Song," which was cut live in the studio. Page worked feverishly with Kramer to mix the LP on a primitive 12-channel Altec board in a two-day span. Fans will also learn the genesis of their lyrics, the inspiration for their album covers, the instruments used, and the contributions of engineers such as Andy Johns, who helped create the iconic drum sound on "When the Levee Breaks" by recording Bonham at the bottom of a stairwell.

THE SONGS follows Iz Herzl, famed political activist and protest singer, who has always told his children that it is the future not the past they should concentrate on. Now, at 80, an almost forgotten figure, estranged from everyone who has ever loved him, his refusal to look back on his extraordinary life leaves his teenage children, the brilliant Rose and her ailing younger brother, Huddie, adrift in myths and uncertainty that cause them to retreat into a secret world of their own. Iz's other child, Joseph, a faltering Broadway songwriter 40 years older than Rose and Huddie, whose one disastrous meeting as a child with his father has left him lost and alone, is on a shocking and violent path to self-destruction. When the disparate members of the Herzl family begin to converge, the ambiguities at the heart of Iz Herzl's life begin to surface in a way that will change all of them.

Presents the songs and calls of fifty North American birds that are common to residential settings, city parks, and urban areas.

Musical historians Phillippe Margotin and Jean-Michel Guesdon delve deep into the history and musical origins of every Beatles album, recounting the circumstances that led to the composition of each song, the recording process, and the instruments used. This intimate and revealing look at the music of The Beatles draws on decades of research. For example, readers learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for ?100 in 1960 in Hamburg. He had it painted black and used it on the Ed Sullivan Show and in the Hollywood Bowl concerts. It now belongs to his son Sean. Readers will also get an inside look at each song's recording. Love Me Do was recorded in Abbey Road Studios in September 1962. The song took 18 takes to get right, though it was one of the first songs John and Paul had written together. John was originally supposed to sing lead vocals, but when George Martin suggested adding a harmonica, Paul took over as lead. Hundreds of photographs range from rare black-and-white publicity stills to images of Beatles instruments to intimate shots of the musicians in the studios. Special sections called 'For Beatles Addicts,' give even more detailed information for the true fan.