"Hush little baby, close your eyes, Mama loves you, Papa loves you ... so do I!"--Back cover.

The American South is generally warmer, wetter, weedier, snakier, and more insect infested and disease prone than other regions of the country. It is alluring to the scientifically and poetically minded alike. With Mockingbird Song, Jack Temple Kirby offers a personal and passionate recounting of the centuries-old human-nature relationship in the South. Exhibiting violent cycles of growth, abandonment, dereliction, resettlement, and reconfiguration, this relationship, Kirby suggests, has the sometimes melodious, sometimes cacophonous vocalizations of the region's emblematic avian, the mockingbird. In a narrative voice marked by the intimacy and enthusiasm of a storyteller, Kirby explores all of the South's peoples and their landscapes--how humans have used, yielded, or manipulated varying environments and how they have treated forests, water, and animals. Citing history, literature, and cinematic portrayals along the way, Kirby also relates how southerners have thought about their part of Earth--as a source of both sustenance and delight.

Where Is the Hope in Grief for a Young Amish Widow? Sylvia has been nearly paralyzed with grief and anxiety since the tragic death of her husband, father, and brother in a traffic accident. She tries to help in the family’s greenhouse while caring for her two young children, but she prefers not to have to deal with customers. Her mother’s own grief causes her to hover over her children and grandchildren, and Sylvia seeks a diversion. She takes up birdwatching and soon meets an Amish man who teaches her about local birds. But Sylvia’s mother doesn’t trust Dennis Weaver, and as the relationship sours, mysterious attacks on the greenhouse start up again.

Includes excerpt for 'Sunlight and shadows' (pages 192-198).

An indelible portrait of one of the most famous and beloved authors in the canon of American literature – a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words. The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lee’s classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the state’s history and literature matured into a deep friendship between them. Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York – heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally – ‘Dear Dr Flynt’ – as the years passed, their exchanges became more intimate and emotional, opening with ‘Dear Friend’ and closing with ‘I love you, Nelle.’ This is a remarkable compendium of a correspondence that lasted for a quarter century – until Harper Lee’s death in February 2016 – and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.

Late summer 1941. Louisianas piney woods are engulfed by a tidal wave of soldiers engaged in the largest army maneuvers ever undertaken on American soil. For many of these young men, as well as the isolated Southern communities, life will never be the same. Although no one knows it, our nation will be at war in three months. Elizabeth Reed is a young Louisiana schoolteacher who dislikes soldiers. Harry Miller is a Wisconsin soldier who hates Louisiana. It only makes sense that they should meet and fall in love. Their story begins with a bulletan empty cartridge tossed from a truckload of soldiers. The note inside it will change the destinies of these two young people. In the midst of large-scale battles between the red and blue armies, Harry and Elizabeth are each fighting their own war with dark secrets from their pasts. They have nothing in common except mutual desires to escape these pasts. In spite of clashing at every turn, they run right into each others arms as they jointly learn that the hardest person to forgive is yourself. Within this clash of cultures lies the core message of A Spent Bullet. Rural Louisiana is never the same, and neither are the soldiers who learn about Louisiana mud, mosquitoes, and misery mixed with memorable Southern hospitality. More than a love story, A Spent Bullet recreates a memorable but largely forgotten time in Louisiana and our nations history. Told in the warm and touching style loved by readers of his previous eight books, Curt Iles weaves a story of love, history, and redemption.

“If Thoreau drank more whiskey and lived in the desert, he’d write like this.”—High Country News Welcome to the land of wildfire, hypothermia, desiccation, and rattlers. The stark and inhospitable high-elevation landscape of Nevada’s Great Basin Desert may not be an obvious (or easy) place to settle down, but for self-professed desert rat Michael Branch, it’s home. Of course, living in such an unforgiving landscape gives one many things to rant about. Fortunately for us, Branch—humorist, environmentalist, and author of Raising Wild—is a prodigious ranter. From bees hiving in the walls of his house to owls trying to eat his daughters’ cat—not to mention his eccentric neighbors—adventure, humor, and irreverence abound on Branch’s small slice of the world, which he lovingly calls Ranting Hill.