The Song of the Body: Dance for Lifelong Wellbeing is a fascinating and highly researched look at dance as a profession, an industry and a hobby. The book celebrates dance as a powerful means of enhancing physical and emotional health at all stages of life and considers dance and lifelong wellbeing from the perspectives of the young through to older adults. This beautifully produced collection includes profiles of dance luminaries such as Gillian Lynne and Robert Cohan as well as commentary from dancers, directors, teachers and dance agencies and companies including Step into Dance, Growing Older (Dis)gracefully and Dance UK. The book approaches a broad selection of culturally relevant and significant topics, from how dance can aid the mental and physical health of older adults, to how it can enrich the lives of the young. Other topics include how dance can help adults with learning disabilities overcome barriers to wellbeing, as well as posing the question 'who cares about the health and professional wellbeing of professional dancers?' With a foreword by renowned ex-prima ballerina and RAD president Darcey Bussell CBE and with stunning colour photographs throughout, The Song of the Body is a must have addition to the bookshelves of anyone with a professional or personal interest in dance and wellbeing.

A celebratory picture book about appreciating the wonderful body you have and looking for the beauty inside. Based on the children's song written by Taryn Brumfitt and paired with joyous illustrations by Sinead Hanley, this book will have every body loving who they are!

Winner of the 2023 PROSE Award for Excellence in Biological and Life Sciences and the 2023 Chautauqua Prize! Named a New York Times Notable Book and a Best Book of the Year by The Economist, Oprah Daily, BookPage, Book Riot, the New York Public Library, and more! In The Song of the Cell, the extraordinary author of the Pulitzer Prize–winning The Emperor of All Maladies and the #1 New York Times bestseller The Gene “blends cutting-edge research, impeccable scholarship, intrepid reporting, and gorgeous prose into an encyclopedic study that reads like a literary page-turner” (Oprah Daily). Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them “cells.” The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies. Filled with writing so vivid, lucid, and suspenseful that complex science becomes thrilling, The Song of the Cell tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. Told in six parts, and laced with Mukherjee’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece on what it means to be human. “In an account both lyrical and capacious, Mukherjee takes us through an evolution of human understanding: from the seventeenth-century discovery that humans are made up of cells to our cutting-edge technologies for manipulating and deploying cells for therapeutic purposes” (The New Yorker).

Explore metaphors in the exquisite and enigmatic poetry of Song of Songs One of the chief difficulties in interpreting the Song's lyrics is the unusual imagery used to depict the lovers' bodies. Why is the maiden's hair compared to a flock of goats (4:1), the man’s cheeks likened to garden beds of spice (5:13), and the eyes of both lovers described as doves (4:1; 5:12)? While scholars speculate on the significance of these images, a systematic inquiry into the Song's body metaphors is curiously absent. Based on insights from cognitive linguistics, this study incorporates biblical and comparative data to uncover the meaning of these metaphors surveying literature in the eastern Mediterranean (and beyond) that shares a similar form (poetry) and theme (love). Gault presents an interpretation of the Song's body imagery that sheds light on the perception of beauty in Israel and its relationship to surrounding cultures. Features Exploration of the Song's use of universal themes and culturally specific variations Discussion of the Song's literary structure and unity

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.

Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.

The Canadian power trio Rush has been called the world's biggest cult band. Though critical favor eluded them for many years, the band has gained the admiration of legions of fans and sold over forty-million albums worldwide. In this unique book the reader is guided through each album, song by song, from the band's eponymous début in 1974 right up to 2012's Clockwork Angels. Every album (both live and studio) is explored in detail with rare insight into the circumstances in which the band wrote and recorded each song . The book also carefully tracks the band's rise from a small suburb of Toronto to the arena filling giants they would become. This book explores every studio album, every live release as well as the solo projects of Geddy Lee and Alex Lifeson. Each album is covered in unprecedented detail and the band's prolific output provides numerous milestones with which to chart the band's progress. From humble beginnings, near failure, critical disappointment, international success, and one of the most inspirational come-back stories in Rock; this is a must have book for any Rush fan.