When Richard Collier, a dying screenwriter, becomes infatuated with Elise McKenna, a celebrated actress at the turn of the century, his love proves strong enough to bring him through time to her side.

"Dana is my life force." --Christopher Reeve "A terrible thing happened. I wish it hadn't. But would I change who I married? Never." --Dana Reeve He was a hero in every sense of the word--the chiseled-from-granite star of four blockbuster Superman films and the romantic classic Somewhere in Time who, after being paralyzed in a freak horseback riding accident, became a symbol of hope for millions. Dana Reeve was no less heroic, standing steadfastly by her husband's side until his surprisingly sudden and unexpected death at age fifty-two. When Dana, a non-smoker, passed away from lung cancer just seventeen months after Chris's death, she left behind their thirteen-year-old son, Will, to be raised by friends and family. Dana was only forty-four years old. That fate could have dealt such a cruel hand to this golden couple seemed unfathomable. That they could endure it all with grace, courage, and humor defied belief. Yet for all the millions of words that have been written about their public causes and private struggles following Chris's accident, little is known about the lives they led as passionate young lovers. Now, in the manner of his poignant-yet-stirring bestsellers Jack and Jackie, Jackie After Jack, An Affair to Remember, The Day Diana Died, After Diana, and The Day John Died, No. l New York Times bestselling author Christopher Andersen draws on those who knew them best to examine in touching detail the Reeves' unique partnership and the romance, faith, and fortitude that defined it. Sometimes heartbreaking, often uplifting, always compelling, Somewhere in Heaven is more than just a portrait of a marriage. It is the profoundly human story of two souls whose brief lives made a difference, a bittersweet saga of tragedy, triumph, and loss, and--above all else--a love story for the ages.

Jimmy hasn't seen his father in nine years.

Air force pilot Aurora Durant was lucky to be alive. It hadn't been easy to bring her jet down in the bizarre wind storm, but the savvy captain had managed. Now she had to figure out where she'd landed--and when. Lucius Antonius, senior centurion of the Roman Empire, couldn't believe his incredible fortune. A beautiful woman had literally dropped out of the sky. But before Lucius could claim the willful, impertinent creature, he had to tame her. Soon Aurora discovered the true test of her spirit wasn't learning to live in a time two thousand years in the past, but resisting the powerful allure of an ancient warrior. Her agenda could only be returning to her own time, and falling for Lucius could make that mission impossible to accomplish.

From “an exceptional storyteller,” Somewhere in the Unknown World is a collection of powerful stories of refugees who have found new lives in Minnesota’s Twin Cities, told by the award-winning author of The Latehomecomer and The Song Poet. All over this country, there are refugees. But beyond the headlines, few know who they are, how they live, or what they have lost. Although Minnesota is not known for its diversity, the state has welcomed more refugees per capita than any other, from Syria to Bosnia, Thailand to Liberia. Now, with nativism on the rise, Kao Kalia Yang—herself a Hmong refugee—has gathered stories of the stateless who today call the Twin Cities home. Here are people who found the strength and courage to rebuild after leaving all they hold dear. Awo and her mother, who escaped from Somalia, reunite with her father on the phone every Saturday, across the span of continents and decades. Tommy, born in Minneapolis to refugees from Cambodia, cannot escape the war that his parents carry inside. As Afghani flees the reach of the Taliban, he seeks at every stop what he calls a certificate of his humanity. Mr. Truong brings pho from Vietnam to Frogtown in St. Paul, reviving a crumbling block as well as his own family. In Yang’s exquisite, necessary telling, these fourteen stories for refugee journeys restore history and humanity to America's strangers and redeem its long tradition of welcome.

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.