This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Society of Artists of Great Britain, 1760-1791, the Free Society of Artists, 1761-1783: A Complete Dictionary of Contributors and Their Work From the Foundation of the Societies to 1791 The Royal Academy Exhibitors have induced me to continue the series by producing a companion volume of the two earlier Societies, thereby carrying the records of the works of English artists back to the year 1760, when the first public exhibition took place in England. In common with the Lists of Exhibitors at other London Exhibitions, this work was compiled over thirty years ago, and the manuscript volumes have ever since been of great use for reference. The catalogues of these early exhibitions are very difficult to obtain, and there is, I believe, no complete set of printed copies in existence, those in public institutions being completed by manuscript copies. To lovers of art this volume will present the only easily available means of knowing what pictures were exhibited by well-known artists before the foundation of the Royal Academy. Upwards of works were Shown at these exhibitions. To make the volume still more interesting, I have endeavoured to give an account of these Societies by reprinting portions of books written at the time of the exhibitions, or shortly afterwards. In this very little attempt has been made to introduce original matter, but I feel that the extracts from books now exceedingly scarce will prove of value. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A guide to historical literature on England between 1760 and 1837, emphasising more recent work.