In this book, Natàlia Cantó Milà elaborates on Georg Simmel's relational approach to a theory of value, pointing at the heuristic possibilities that this approach offers to modern sociology and to a sociology of modernity. She does so by focusing on the theory of value Simmel developed in his »The Philosophy of Money«, delivering an alternative reading of this book that views its theory of value as its main axial point. Simmel's theory of value is depicted by Cantó Milà as including an intrinsically sociological aspect, since economic as well as moral, ethic and aesthetic values are conceived as resulting from human relations.

The complete collected works of Georg Simmel are now available. Yet, the standing of Simmel’s sociological theory is still a subject of controversy. Is Simmel only a brilliant impressionist, a flâneur in the territories of modernity? Providing an illuminating and coherent presentation of Simmel’s sociological theory, The Challenge of Modernity seeks to demonstrate how Simmel contributed a structured sociological theory that fits the criteria of a ‘sociological grand theory’. Indeed, starting by the theory of modernity and its dimensions of social differentiation, monetarisation, culture reification and urbanisation; it reconstructs the architecture of Simmel’s sociological epistemology. Particular attention is dedicated to the theory of ‘qualitative societal differentiation’ that Simmel develops within his cultural sociology, with the late work being presented as a double contribution to the foundation of sociological anthropology and to the social ethics of complex societies. Presenting the entirety of Simmel’s manifold oeuvre from the viewpoint of its relevance for sociology, this comprehensive volume will appeal to scholars and advanced students who wish to understand Simmel’s relevance for socio-political thought and become acquainted with his contribution to sociological theory. It will also be of interest to the wider public who seek a critical assessment of our age in theoretical terms.

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Originally published in 1992, this book, written by one of the world's leading experts on Simmel, provides a fascinating set of insights into a thinker who is fast becoming recognized as the sociologist of modernity; an indispensible resource in confronting post-modernity. It examines the relevance of his work in relation to contemporary debates on culture, aesthetics and modernity.

When "Sociological Impressionism" was first published in 1981, it was the first comprehensive study on Simmel s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a "formal "sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.

This book draws upon the work of Georg Simmel to explore the limits, tensions and dynamism of social life through a close analysis of the works produced in the final years of his life and reveals what they might still offer some 100 years later. Focusing on the relationships between worlds, lives and fragments in these works, David Beer opens up a conceptual toolkit for understanding life as both an individual experience and as a deeply social phenomenon. Taking the reader through artistic and musical forms of inspiration, to the problems of culture and on to the conceptual understanding of lived experience, the book illuminates the richness of Simmel’s ideas and thinking. This sophisticated dialogue with Simmel’s lesser known later works will provide fresh insights for students and scholars of cultural and social theory and pave the way for a reinvigorated engagement with his ideas.