The final volume of the trilogy that began with The Smoking Diaries finds Simon Gray determined to give up smoking. Really. At last. Can he kick the habit of sixty years? Will he, sometime soon, be able to leave his house without nervously feeling for his two packets of twenty and his two lighters? As this wonderful, wayward record of Gray's life progresses, these questions are overtaken by much larger ones. What was sex like before 1963? Will his name be in lights on Broadway? Why leave the bedside of his dying mother? With their combination of comedy and serious reflection, of sharp observation and painful self-disclosure, Simon Gray's diaries reinvented the memoir form and are destined to become classics of autobiography.

When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.

In this volume, Simon Gray is determined to give up smoking. Can he kick the habit of sixty years?

'Coda' is Simon Gray's powerful account of the year in which he struggles to come to terms with terminal lung cancer. From heartbreaking reflections on his own mortality to outrageous asides Gray's self-proclaimed 'last written words on the subject of myself' records his extraordinary emotional journey.

The third and final volume of the remarkable Sunday Times bestselling diaries of Sir Henry 'Chips' Channon ___________________________________________ 'An utterly addictive glimpse of London high society and politics in the 40s and 50s.' Robert Harris 'An instant classic . . . quite simply the greatest social and political diaries of the 20th century.' Daily Telegraph 'Rich, exuberant, copious and shatteringly honest.' Spectator 'A scurrilous read. Fascinating. Gripping!' Alan Titchmarsh 'Chips writes with such vividness that one feels one is living each day in his exalted company.' The Oldie _______________________________________ This final volume of the unexpurgated diaries of Sir Henry 'Chips' Channon begins as the Second World War is turning in the Allies' favour. It ends with Chips descending into poor health but still able to turn a pointed phrase about the political events that swirl around him and the great and the good with whom he mingles. Throughout these final fourteen years Chips assiduously describes events in and around Westminster, gossiping about individual MPs' ambitions and indiscretions, but also rising powerfully to the occasion to capture the mood of the House on VE Day or the ceremony of George VI's funeral. His energies, though, are increasingly absorbed by a private life that at times reaches Byzantine levels of complexity. We encounter the London of the theatre and the cinema, peopled by such figures as John Gielgud, Laurence Olivier, Vivien Leigh and Douglas Fairbanks Jr, as well as a seemingly endless grand parties at which Chips might well rub shoulders with Cecil Beaton, the Mountbattens, or any number of dethroned European monarchs. He has been described as 'The greatest British diarist of the 20th century'. This final volume fully justifies that accolade.

Coda is Simon Gray's powerful account of the year in which he struggled to come to terms with terminal lung cancer. Darkly comic depictions of the medical team are set against joyful accounts of sunlit days with his beloved wife, Victoria. Written with exceptional candour and a poignant reluctance to leave this world behind, Simon Gray's Coda is as life-affirming as it is heart-rending. Sadly, Coda was published posthumously: Gray died in August 2008.

As a baby, Simon Gray discovered that he could move his pram while still nestling inside it. 'It was a complete mystery to the adult intelligences, how had he done it, if it was he who had done it, but if not he, who then and why? So the next afternoon they (Mummy and Nanny) planted the pram in the usual spot, and stood over it, watching - the baby lay there smiling or snivelling up at them, until it struck them that they should try observing the baby when unobserved by the baby, and they withdrew behind bushes and trees etc.; and thus witnessed the swaying of the pram, then the juddering of the pram, then its slow, unsteady progress along the path, the movement accompanied by a low humming and keening sound from within that reminded them more of a dog than a human ... "jouncing" was the word they used for it. I was a jouncer therefore.' In the second book of his chronicles of triumph and disaster which started with The Smoking Diaries, Gray intertwined scenes from his adult and his childish self to produce a brilliant and moving counterpoint of life's unsteady progress.