The title Smiling Death Gang graphically illustrates the theme and the flavour of this book. A feast for those who thrive on reading about violence, crime, cruelty and totally weird characters; it features a gang of violent criminals who terrorise the citizens of local villages. Allergic to work, they subsist on hanging around the local motor park, touting for tips and looking for opportunities to cause havoc; even going so far as to gate-crash a wedding, steal the guest's handbags and then break up the wedding ceremony, just for the hell of it. Nwadibia, their leader, ugly as sin, shuffles along the street, constantly plotting ways of exacting revenge against his enemies or torturing the citizenry. Lovers of intrigue and violence grab this one!

This story takes place ten years from now. The British government's control over the people is at its all time high. Armed guards are on the streets suppressing our lives, and our will to fight back. Protests and free speech are treated with contempt, and are managed by brute force. CCTV and phone surveillance have been increased to the maximum. Prime Minister Michael Ramsbottom is still in power, despite never winning a general election. But what Prime Minister Michael Ramsbottom doesn't realise is that human beings can't be contained; they will always find a way of breaking free.A community living underground to escape the horrors of this modern world is thrown into chaos on the discovery of a badly beaten man in one of their underground tunnels. After saving his life they gradually begin to learn about who this man is and how he was the victim of a brutal attack by three people working as part of Prime Minister Ramsbottom's corrupt government.

1950s Britain - when life was great if you had the guts to live it. Murder, lurid courtroom dramas, gypsy horse fairs, eccentric admirals, child brides, and falling in love - it's all in a day's work for cub reporter John Bull. Meet a cast of characters - from the parish clerk who dresses like a French resistance fighter, complete with rifle over her shoulder, to the medium whose spirit guide (her soldier boyfriend killed in World War II) gets in touch by pinging her suspender belt. The Smile on the Face of the Pig is a cheeky exposé of life in the 1950s: crazy nights at the theatre with the old-time music-hall stars, skinny-dipping by starlight, drinking with the freebooting river-folk, and riding through the freezing night on a BSA motorbike chasing the Big Scoop that will carry him to Fleet Street, fame and fortune.

Dwellers of Memory is an ethnographic study of how urban youth in Colombia came to be at the intersection of multiple forms of political, drug-related, and territorial violence in a country undergoing forty years of internal armed conflict. It examines the ways in which youth in the city of Medellin reconfigure their lives and, cultural worlds in the face of widespread violence. This violence has transgressed familiar boundaries and destroyed basic social supports and networks of trust. This volume attempts to map and understand its patterns and flows. The author explores how Medellin's youth locate themselves and make, sense of violence through contradictory and shifting memory practices. The violence has not completely taken over their cultural worlds or their subjectivities. Practices of remembering and forgetting are key methods by which these youth rework their identities and make sense of the impact of violence on their lives. While the experience of violence is rooted in urban space and urban youth, the memory dwellers use a sense of place, oral histories of death, and narratives of fear as survival strategies for inhabiting violent neighborhoods. The book also examines fissures in memory, the contradictory constructions of young people's subjective selves, and practices of gendered violence and terror. All have and continue to pose risks to the historical memory and cultural survival of the residents of Medellin. Dwellers of Memory offers an alternative ethnographic approach to the study of memory and violence, one that calls into question whether the, role of the ethnographer of violence is to be a mere witness of terror, or to oppose it by writing against it. It will be of interest to sociologists, anthropologists, and students of, ethnography.

Some monsters are real, and the dark holds many things to fear. Carta city is growing colder, winter is coming and with it a monster stirs in the darkness. The shadows are on the move, the world growing silent. Veteran homicide detective Aiden Haxton must conquer his ambivalence and ever growing personal doubt in order to follow the clues left in the wake of a psychopathic killer claiming to be a god. A monster Born from sickness and insanity, that has a single minded intent to shape the world in his image. With his young partner Tad Russle, Haxton must battle the elements and the clock as the bodies pile up. The murders are gruesome, the monster unknown, and the messages clear. Time is running out for Haxton and for Carta city. The question remains, does Haxton have the resolve to stop the monster calling itself Code Blue, before all hope is lost? Or will he slip into memory along with the rest of the world. The answer remains to be seen, but it will decide the fate of us all.

Ajeet is a commoner, a boy next door who is away from the Worldliness and moreover just a happy-go-lucky guy. Aditi and Ajeet are batch mates in a Junior College and share a good chemistry. Aditi is all head over heels for Ajeet and without any hesitation, irrespective of the time and place boldly conveys her feelings for him. Ajeet was infatuated towards Aditi, however, finds his true love in Sumi whom he meets in his coaching class. Wanting to break away from the conventional norms and the shackles of a traditional familial business and to prove his worth to his dad, Ajeet joins Army. Years later a tragedy connects Ajeet, Sumi, and Aditi once again, however, changing their lives forever