Take a Roman holiday with some of the world’s greatest writers Explore the Palatine with Elizabeth Bowen. Visit the temple of the Vestal Virgins with Georgina Masson. Analyze Michelangelo’s Moses with Sigmund Freud. Stroll through ancient streets with Goethe and with Henry James. Share Alice Steinbach’s midnight epiphany on a shabby hotel balcony. Learn the art of love from Ovid. Visit villas and gardens with Edith Wharton. Enjoy Rome’s myriad moods and pleasures with Robert Browning, Eleanor Clark, Susan Vreeland, and many others. An irresistible collection of writing about one of the world’s most beloved destinations, The Smiles of Rome spans the centuries from ancient times to the present day. Each essay resonates with the richness and turmoil of the past and overflows with a great wealth of fascinating facts and intriguing tidbits for today’s avid readers and travelers. “Rome,” writes Susan Cahill, “has the power to blow your mind and heart.” This delicious, many-layered collection honoring the city that is the heart and soul of European civilization has the same power to thrill.

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear—a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena? Laughter in Ancient Rome explores one of the most intriguing, but also trickiest, of historical subjects. Drawing on a wide range of Roman writing—from essays on rhetoric to a surviving Roman joke book—Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient “monkey business” to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising. But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really “get” the Romans’ jokes?

Rome, the eternal city, boasts a long and rich literary history with strong connections to the English Romantic poets Keats and Shelley, as well as Stendhal, Goether and Henry James.

During the Roman Civil War, as the forces of Pompey and Julius Caesar fight a series of battles in the provinces over control of the Republic, Rome itself is a hotbed of intrigue as those left behind wait for word. In this tentative and treacherous environment, a beautiful young seeress is murdered in the marketplace. Possibly mad and claiming no memory of her own past, Cassandra - like her namesake - is reputed to have had the true gift of prophecy and, as a result, she became a confidante of the rich and powerful. Gordianus the Finder, who had become obsessed with the woman and her mystery, starts to investigate her murder. As the political situation in Rome continues to decay, the citizenry veers towards ruin, and everyone waits for word out in the far off fields of war, Gordianus begins to peel away the veils of secrecy that surround Cassandra's life and death. What lies underneath involves one, possibly many, of the most powerful women in Rome and the truth could not only put Gordianus's life in danger but affect the very future of Rome itself.

Documents the award-winning writer's experiences of living, working, and raising twin sons in Rome during the year following his receipt of a prestigious Rome Prize stipend, a period during which he attended the vigil of the dying John Paul II, brought his children on a snowy visit to the Pantheon, and befriended numerous locals. Reprint. 35,000 first printing.

A classic work by one of this century's most beloved spiritual writers now reissued. The inspirational writings of Henri Nouwen have touched millions of readers all over the world, and since his death in September 1996, widespread recognition of their enduring value has continued to grow. Now, after being unavailable for several years, Nouwen's Clowning in Rome is available again as an Image trade paperback. In this classic account of the time he spent in Rome, Nouwen offers reflections and spiritual insight characteristic of his best works. During the months in Rome, it wasn't the red cardinals or the Red Brigade who had the most impact on Nouwen, but the little things that took place between the great scenes. In some ways, Nouwen discovered, the real and true story was told by the clowns he often saw in the city streets. In his own words, from the Introduction to Clowning in Rome: "The clowns are not the center of events. They appear between the great acts, fumble and fall and make us smile again after the tensions created by the heroes we came to admire. The clowns don't have it together--they are awkward, out of balance and left-handed, but--they are on our side. The clowns remind us with a tear and a smile that we are sharing the same human weakness. The longer I was in Rome, the more I enjoyed the clowns, those peripheral people who by their humble, saintly lives evoke a smile and awaken hope, even in a city terrorized by kidnapping and street violence."

“These essays gather up Rome and hold it before us, bristling and dense and dreamlike, with every scene drenched in the sound of fountains, of leaping and falling water.” — The New Yorker “Perhaps the finest book ever to be written about a city.” — New York Times Bringing to life the legendary city's beauty and magic in all its many facets, Eleanor Clark's masterful collection of vignettes, Rome and a Villa, has transported readers for generations. In 1947 a young American woman named Eleanor Clark went to Rome on a Guggenheim fellowship to write a novel. But instead of a novel, Clark created a series of sketches of Roman life written mostly between 1948 and 1951. Wandering the streets of this legendary city, Eleanor fell under Rome's spell—its pace of life, the wry outlook of its men and women, its magnificent history and breathtaking contribution to world culture. Rome is life itself—a sensuous, hectic, chaotic, and utterly fascinating blend of the comic and the tragic. Clark highlights Roman art and architecture, including Hadrian's Villa—an enormous, unfinished palace—as a prism to view the city and its history, and offers a lovely portrait of the Cimitero acattolico—long known as the Protestant cemetery—where Keats, Shelley, and other foreign notables rest.