In this cozy mystery, the first of a series, middle-aged sisters Faye and Barb decide to open a detective agency in Allport, their small town in northern Lower Michigan. They agree that Retta, their baby sister, will NOT be included, since she tends to take over any organization she's part of. Sweetly but firmly, Retta will tell you what you should do, could do, and will do. The agency does not take off, and Faye reconsiders the decision to leave Retta out, since as the widow of a slain state trooper, she's got contacts all over Michigan. Retta's only too willing to "help out" and immediately begins second-guessing their decisions, which leads to sparks between her and Barb. The sisters finally get a decent case: finding a man who apparently murdered his wife years ago and has been on the run ever since. As they try to investigate what happened, they're opposed at every turn. Local cops doubt the "lady detectives," and most of the town is convinced Neil Brown killed his wife and brother-in-law in a fit of anger. The murder victims' father has no doubt Brown is guilty, and he's furious that anyone might take a different view. Still, someone wants to keep the sisters from finding Brown and digging into what really happened the day he left Allport. As the sisters piece things together, the new police chief seems like a possible ally. The problem is that both Barb and Retta are attracted to him, and Retta seldom meets a man she can't get. Accepting defeat in that arena, Barb tries to concentrate on the case and proving Brown isn't guilty of murder. She succeeds, but it means she must face a desperate killer in a remote, dangerous spot. Only Faye and Retta can save her, and they have no idea where she is. Family humor--particularly the close-but-oh-so-different status of sisters, plays a big role in this murder mystery. Each sister has strengths and foibles. Barb, intelligent and composed, sneaks around town at night, correcting the spelling and grammatical errors on signs that drive her bonkers. Faye, kind-hearted but insecure, can't see herself as the capable person she is. And Retta? Retta knows she's attractive and clever. She's only trying to help when she tells you exactly what you should do with your life--or your detective agency. One reviewer's comment: "If you have sisters, you have to read this book!"

The abrupt disappearance of the renters at the Sleuth Sisters' family farm presents Faye with the chance to do something she's always dreamed of: start a retirement home for draft horses. The circumstances surrounding the move are strange, though, and Faye, Barb, and Retta begin to suspect that at least some of the family members didn't leave voluntarily. Balancing a menagerie of animals with tracking down clues as to where the man, woman, and three daughters might have gone, the sleuths uncover a series of surprises that lead to dangers they never anticipated. As those dangers grow, the sisters-and everyone around them-are plunged into deadly peril.

Rowland presents a detailed exploration of how the archetypes of ancient goddesses Hestia, Artemis, Athena and Aphrodite breathe into and shape female-authored detective fiction. Representing aspects of characterisation not bound by gender, the book examines how these archetypes emerge in themes like the home and hearth, hunting, survival and desire. Rowland assesses numerous examples from a range of works, providing a clear illustration of each archetype and illuminating aspects of femininity, psyche and being. This uniquely interdisciplinary work of literary analysis sheds light on the popularity and underlying mystique of the genre.

Girls series books have been popular since the early 1840s, when books about Cousin Lucy, a young girl who learns about the world around her, first appeared. Since then, scores of series books have followed, several of them highly successful, and featuring some of the most enduring characters in fiction, such as Nancy Drew. In recent decades, series books like The Baby-Sitters Club and Sweet Valley High have become staples for young readers everywhere. In Sisters, Schoolgirls, and Sleuths: Girls' Series Books in America, Carolyn Carpan provides a social history of girls' series fiction published in America from the mid-19th century through the early 21st century. Carpan examines popular series, subgenres, themes, and characters found in approximately 100 series, noting how teenage girls are portrayed in girls' series fiction and how girls' series reflect or subvert the culture of the era in which they are produced. Her study also focuses on the creation, writing, and production of such books. This is the first study of American girls' series books to examine the entire genre from its beginnings in the 1840s to the present day, revealing facts about a sub-genre of children's and young adult literature that has rarely been studied. Appendixes in this volume include a listing of the girls' series covered in the book as well as important books about girls' series fiction.

Originally published: Cincinnati, Ohio: Betterway Books, 2000.

Sunshine for Sisters is about celebrating sisterhood---sisterhood that happens as a result of being born and bonded into the same family and sisterhood that emerges simply from the love growing inside our hearts.