"First published in Italian under the title Ninfa Dormiente. First published in English in the United Kingdom under the title Painted in Blood by The Orion Publishing Group, Ltd, 2020"--Title page verso.

Females young and old, beautiful and plain crave Valerian's touch. None can resist his blatant sensuality and potent allure—until he steals Shaye Holling from a Florida beach and holds her prisoner in his underwater kingdom. The cynical Shaye wants nothing to do with the mighty warlord, but she's inexplicably drawn to him. For underneath the warrior's arrogant beauty lies a complex and powerful man. A man whose caress is like fire…. Now Valerian must fight for the privilege of claiming her as his own. Because there's one thing Shaye doesn't know…. That when a nymph discovers his true mate, she's his for life.

Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.

The Wood Nymph is the digital reissue of a previously published and long out-of-print novel by New York Times Bestselling author Mary Balogh. Lady Helen Wade is not interested in living the proper life of a proper young lady. She prefers to slip away to her own place in the woods, where she can wear comfortable clothes and let her hair down and go barefoot while she dreams and paints and communes with nature. There she meets the rich and handsome William Mainwaring, newly arrived owner of the property upon which the woods stand. William, nursing a broken heart, is enchanted by the simple country girl whom he knows only as Nell, and returns a number of times in the hope of seeing her again. A brief, passionate affair ensues before guilt sends William abruptly away so that he can avoid further temptation to ruin her. When they meet again, Helen and William are both in London, and he knows her for who she is. How can he persuade her that he is not the heartless cad she believes him to be when he knows he behaved badly? And how can he persuade her that he loves both Nell and Helen—and that somehow he is worthy of her love?

The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.