This work offers a detailed analysis of the Slavic translation of a sixth-century Greek liturgical poem that is representative of the poetic genius of the best of the Byzantine melodes. The immediate goal has been to discover to what degree the poetic elements of the original text were reproduced in the translation. The analysis illuminates the question of the quality of the Slavic translations of Byzantine liturgical hymns. Text engl., teilw. Griech. U. makedon. Durchsuchbare elektronische Faksimileausgabe als PDF. Digitalisiert im Rahmen des DFG-Projektes Digi20 in Kooperation mit der BSB München. OCR-Bearbeitung durch den Verlag Otto Sagner.

The Akathistos Hymn, the most famous work of Byzantine hymnography, has been enshrined in the Orthodox liturgy since the year 626, and its image of the Virgin Mary has exerted a strong influence upon Marian poetry and literature. Anonymous, undated and highly rhetorical, the hymn has presented a challenge to scholars over the years. This study has been undertaken by an innovative method. The approach brings new insights to the era which brought forth the hymn, and the metaphorical image of the Virgin becomes conceptually accessible to the modern-day reader. The investigation leads to the conclusion that the Council of Ephesus (431) constitutes the most likely historical context for the hymn's composition. The book will be of value to all scholars of early Byzantine and Marian studies.

An Akathist (Greek for "Standing Up") is a type of extended devotional hymn used both in church and at home. This first volume contains six Akathist hymns to the Lord Jesus Christ (to our Sweetest Lord Jesus Christ, the Divine Passion of Christ, the Precious Cross, the Tomb and the Resurrection of the Lord, the Resurrection of Christ, and for Holy Communion; four Akathist hymns to the Mother of God (to the Most Holy Theotokos, the Dormition of the Theotokos, the Joy of All Who Sorrow, and the Kursk Root Ion of the Sign); and twelve to various saints (St. Alexis the Man of God; the Holy Great Martyr George, St. Herman of Alaska, St. John the Baptist, St. John of Kronstadt, St. John the Theologian, the Holy Archangel Michael, St. Nicholas, the Holy Great Martyr Panteleimon, St. Seraphim of Sarov, St. Simon the Zealot, and for the Repose of the Departed. Also contains music for typical akathist refrains.

This book focuses on the compilation of the different practices of Eastern Orthodox Chant, looking at the subject through various languages, practices, and liturgical books and letters. The subject of this book is also analysed through newly found, unique material, to provide the entire history of Eastern Orthodox Chant, from the ninth to the nineteenth centuries and approached through a number of different disciplines. The book consists of sixteen topics, grouped in four parts: Studies on Genre, Studies on Liturgical Books, Studies on Distinguished Men of Letters, and Studies on Bulgarian Orthodox Church Chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which is the cradle of Graeco-Roman heritage. This complex study brings in a variety of sources to show the purpose of Eastern Orthodox Chant as strengthening the Christian faith during the Middle Ages and the revival of Balkan nationalism in the nineteenth century. This book will appeal to students and scholars alike, interested in liturgical musical books, liturgy, and chant repertory. Likewise, it will be of interest to those engaged in medieval and early modern history, music, and culture.

Introduction - The Slavic and Greek texts of the Akathistos - The Greek Akathistos - The evidence for metrical adaption in early Slavic translated hymns - Textual variants and poetic structure - Transmission of poetic devices in the translation - Principles of early Slavic translation, the relationship of music and text, translatability from Greek to Slavic, and the liturgical function of the Byzantine hymns.