This book focuses on the role size plays in grammar. Under the umbrella term size fall the size of syntactic projections, the size of feature content, and the size of reference sets. The contributions in this first volume discuss size and structure building. The most productive research program in syntax where size plays a central role revolves around clausal complements. Part 1 of Volume I contributes to this program with papers that argue for particular structures of clausal complements, as well as papers that employ sizes of clausal complements to account for other phenomena. The papers in Part 2 of this volume explore the interaction between size and structure building beyond clausal complements, including phenomena in CP, vP, and NP domains. The contributions cover a variety of languages, many of which are understudied. The book is complemented by Volume II which discusses size effects in movement, agreement, and interpretation.

Over 100,000 copies of this spectacular journey have already been sold. In forty-two consecutive scenes, each at a different `power of ten` level of magnification, readers are taken from the dimension of one billion light years to the realm of the atom. The text and other illustrations depict what we can perceive at each progressively smaller level of magnitude. " A brilliant pictorial and textual embodiment of a wonderful idea. " Stephen Jay Gould Videos of Powers of Ten are available from: RITELtd. Cross Tree, Walton Street, Walton in Gordano, Clevedon, Avon BS21 7AW Tel: 01275-340279 Fax: 01275-340327

An epic, full-color visual journey through all scales of the universe In The Zoomable Universe, the award-winning astrobiologist Caleb Scharf and the acclaimed artist Ron Miller take us on an epic tour through all known scales of reality, from the largest possible magnitude to the smallest. Drawing on cutting-edge science, they begin at the limits of the observable universe, a scale spanning 10^27 meters—about 93 billion light-years. And they end in the subatomic realm, at 10^-35 meters, where the fabric of space-time itself confounds all known rules of physics. In between are galaxies, stars and planets, oceans and continents, plants and animals, microorganisms, atoms, and much, much more. Stops along the way—all enlivened by Scharf’s sparkling prose and his original insights into the nature of our universe—include the brilliant core of the Milky Way, the surface of a rogue planet, the back of an elephant, and a sea of jostling quarks. The Zoomable Universe is packed with more than 100 original illustrations and infographics that will captivate readers of every age. It is a whimsical celebration of discovery, a testament to our astounding ability to see beyond our own vantage point and chart a course from the farthest reaches of the cosmos to its subatomic depths—in short, a must-have for the shelves of all explorers.

Man from the South is a short, sharp, chilling story from Roald Dahl, the master of the shocking tale. In Man from the South, Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a man takes part in a very unusual bet, one with appalling consequences . . . Man from the South is taken from the short story collection Someone Like You, which includes seventeen other devious and shocking stories, featuring the wife who serves a dish that baffles the police; a curious machine that reveals the horrifying truth about plants; the man waiting to be bitten by the venomous snake asleep on his stomach; and others. 'The absolute master of the twist in the tale.' (Observer ) This story is also available as a Penguin digital audio download read by Stephen Mangan. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

This book focuses on the role size plays in grammar. Under the umbrella term size fall the size of syntactic projections, the size of feature content, and the size of reference sets. This Volume II discusses size effects in movement, agreement, and interpretation while the contributions in Volume I focus on size and structure building. Part I of Volume II investigates how size interacts with head movement and various phrasal movement including left branch extraction, object shift, tough movement, and multiple wh movement. Part II of this volume discusses the role size plays in agreement and morphology-related matters like allomorphy. Contributions in Part III focus on semantic-oriented issues, in particular the size of reference domains and NPI licensing. The languages covered in this volume include American Sign Language, Bosnian-Croatian-Serbian and various other Slavic languages, German, Icelandic, dialects of Italian, Japanese, Nancowry, Panoan languages, and Tamil.

The United States at the turn of the twentieth century cultivated a passion for big. It witnessed the emergence of large-scale corporate capitalism; the beginnings of American imperialism on a global stage; record-level immigration; a rapid expansion of cities; and colossal events and structures like world's fairs, amusement parks, department stores, and skyscrapers. Size began to play a key role in American identity. During this period, bigness signaled American progress. These Days of Large Things explores the centrality of size to American culture and national identity and the preoccupation with physical stature that pervaded American thought. Clarke examines the role that body size played in racial theory and the ways in which economic changes in the nation generated conflicting attitudes toward growth and bigness. Finally, Clarke investigates the relationship between stature and gender. These Days of Large Things brings together a remarkable range of cultural material including scientific studies, photographs, novels, cartoons, architecture, and film. As a general cultural and intellectual history of the period, this work will be of interest to students and scholars in American studies, U.S. history, American literature, and gender studies. Michael Tavel Clarke is Assistant Professor of English at the University of Calgary. Cover photograph: "New York from Its Pinnacles," Alvin Langdon Coburn (1912). Courtesy of the George Eastman House. "A fascinating study of the American preoccupation with physical size, this book charts new paths in the history of science, culture, and the body. A must-read for anyone puzzling over why Americans today love hulking SUVs, Mcmansions, and outsized masculine bodies." ---Lois Banner, University of Southern California "From the Gilded Age through the Twenties, Clarke shows a nation-state obsessed with sheer size, ranging from the mammoth labor union to the 'Giant Incorporated Body' of the monopoly trust. These Days of Large Things links the towering Gibson Girl with the skyscraper, the pediatric regimen with stereotypes of the Jew. Spanning anthropology, medicine, architecture, business, and labor history, Clarke provides the full anatomy of imperial America and offers a model of cultural studies at its very best." ---Cecelia Tichi, Vanderbilt University

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