In late October 1890, a British force led by Admiral Fremantle assaulted and subdued the East African town of Witu, the mainland capital of the Nabahani rulers of Pate; five years later, the entire region and the adjacent coastal islands came under British administration. One of the great tragedies suffered as a result of Admiral Fremantle's initial attack was the loss of the original manuscript of the history of Pate, The Book of the Kings of Pate. This historical work in its various forms is representative of a living historical tradition developed in the coastal city-states of East Africa and is considered one of the important literary treasures of their culture and society. It also stands as the most important indigenous source for Swahili history, the history of the Swahili language, its dialects, and its written tradition. The four Arabic-Swahili versions (manuscripts 177, 321, 344, and 358 of the Library of the University of Dar es Salaam) presented here in The Pate Chronicle add significantly to the growing pool of information available about Pate and East Africa before the era of European colonialism.

"The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes."

A major historical study of Islam among the Swahili.

"As an introduction to how the history of an African society can be reconstructed from largely nonliterate sources, and to the Swahili in particular, . . . a model work."—International Journal of African Historical Studies

Over many centuries, the Swahili coast of East Africa had intricate connections with India, with the Islamic world and with the peoples of the the interior. There was major economic, social and religious interchange. The intrusion of the Portuguese in the 16th century was merely the latest of many foreign influences. This study in world history examines a particular time and place to show the diversity and complexity of cultural and economic contacts.

The Swahili of East Africa have a long and distinctive history as a literate, Muslim, urban, and mercantile society. This book presents an anthropological account of the Swahili and offers an original analysis of their little-understood and unusual culture.

First published in 1999, this volume explores the great diversity of music created by African communities is reflected in this book, which discusses the ways in which a wide range of musical forms are composed and performed from Egypt to South Africa and from Ghana to Kenya. As two composers explain here, this diversity provides much inspiration for western contemporary composition. Particular attention is paid to the contexts generate musical creativity. Ceremonies and festivals celebrating birth, death, marriage or rites of passage provide the impetus for much composition and performance, enabling young people to pick up, early on, some of the techniques and styles of which they then become the new exponents. The book also looks at the role played by formal music education programmes and bodies such as the South African Music Rights Organization and the South African Broadcasting Corporation in fostering musical activity, as well as the contribution of composers to the social and political changes that have dominated South African life in recent years.