This volume reveals new perspectives on the sources of Coleridge's vivid symbolism and on the religious nature of his quest for joy. It offers a close analysis of The Ancient Mariner, Kubla Khan, and Christabel and a discussion of Coleridge's influence on the other Romantic poets.

This volume reveals new perspectives on the sources of Coleridge's vivid symbolism and on the religious nature of his quest for joy. It offers a close analysis of The Ancient Mariner, Kubla Khan, and Christabel and a discussion of Coleridge's influence on the other Romantic poets.

Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

One enchanting romance. Two lovers keeping secrets. And a uniquely crafted book that binds their stories forever. When Evelyn Morgan walked into the village bookstore, she didn’t know she would meet the love of her life. When Brendan Thorne handed her a medieval romance, he didn’t know it would change the course of his future. It was almost as if they were the cursed lovers in the old book itself . . . The Thorn and the Blossom is a remarkable literary artifact: You can open the book in either direction to decide whether you’ll first read Brendan’s, or Evelyn’s account of the mysterious love affair. Choose a side, read it like a regular novel—and when you get to the end, you’ll find yourself at a whole new beginning.

“Delightful . . . A treat for dictionary hounds and vocabulary-challenged word lovers everywhere.”—Booklist For most of us, these prizewinning spelling bee words would be difficult to pronounce, let alone spell. We asked twenty-one of today’s most talented and inventive writers to go even further and pen an original tale inspired by one of dozens of obscure and fascinating championship words. The result is Logorrhea—a veritable dictionary of the weird, the fantastic, the haunting, and the indefinable that will have you spellbound from the very first page. Including twenty-one stories and the inscrutable words that inspired them: Chiaroscuro: “The Chiaroscurist” by Hal Duncan Lyceum: “Lyceum” by Liz Williams Vivisepulture: “Vivisepulture” by David Prill Eczema: “Eczema” by Clare Dudman Sacrilege, Semaphore: “Semaphore” by Alex Irvine Smaragdine: “The Smaragdine Knot” by Marly Youmans Insouciant: “A Portrait in Ivory” by Michael Moorcock Cambist: “The Cambist and Lord Iron: A Fairy Tale of Economics” by Daniel Abraham Logorrhea: “Logorrhea” by Michelle Richmond Pococurante: “Pococurante” by Anna Tambour Autochthonous: “From Around Here” by Tim Pratt Vignette: “Vignette” by Elizabeth Hand Sycophant: “Plight of the Sycophant” by Alan DeNiro Elegiacal: “The Last Elegy” by Matthew Cheney Eudaemonic: “Eudaemonic” by Jay Caselberg Macerate: “Softer” by Paolo Bacigalupi Transept: “Crossing the Seven” by Jay Lake Psoriasis: “Tsuris” by Leslie What Euonym: “The Euonymist” by Neil Williamson Dulcimer: “Singing of Mount Abora” by Theodora Goss Appoggiatura: “Appoggiatura” by Jeff VanderMeer “This book is a logophile’s dream—a left-field collection of stories inspired by winning words from the Scripps National Spelling Bee. Anyone who has ever spent an hour or two happily browsing the pages of a dictionary will find something to love here.”—Kevin Brockmeier, author of A Brief History of the Dead

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth centuries.