A Washington Post Notable Book One of the Best Books of the Year: NPR, The Economist, Financial Times Shortlisted for the Costa Novel Award Finalist for the Women’s Prize for Fiction Here is the story of the Iliad as we’ve never heard it before: in the words of Briseis, Trojan queen and captive of Achilles. Given only a few words in Homer’s epic and largely erased by history, she is nonetheless a pivotal figure in the Trojan War. In these pages she comes fully to life: wry, watchful, forging connections among her fellow female prisoners even as she is caught between Greece’s two most powerful warriors. Her story pulls back the veil on the thousands of women who lived behind the scenes of the Greek army camp—concubines, nurses, prostitutes, the women who lay out the dead—as gods and mortals spar, and as a legendary war hurtles toward its inevitable conclusion. Brilliantly written, filled with moments of terror and beauty, The Silence of the Girls gives voice to an extraordinary woman—and makes an ancient story new again.

4e de couv.: The Silence of the Women, Bamana Mud Clothes leads the reader into the compelling world of Bamana women, examined through the study of a traditional textile, mud cloth or bógólanfini. The book treats mud clothes as a complex art form, illuminating the hidden cultural testimony written into its pattern. It reveals women's silent visual commentary on the events that dominate their lives: excision, arranged marriage, childbirth and death. The silence of the Women is a decisive contribution to our understanding of female knowledge and the ways in which this knowledge is preserved and transmitted to the next generation. Combining art history with anthropology, Sarah Brett-Smith reconstructs with exquisite subtlety and patience the existence of a savoir-faire that has had to deny its own existence. Written as a pendant to an earlier book, the Making of Banama Sculpture, it leads us into an artistic and emotional understanding of the shadowy world and the pregnant silences of Banama women.

Silence is long-established as a spiritual discipline amongst people of faith. However, its examination tends to focus on depictions within texts emerging from religious life and the development of its practices. Latterly, feminist theologians have also highlighted the silencing of women within Christian history. Consequently, silence is often portrayed as a solitary discipline based in norms of male monastic experience or a tool of women’s subjugation. In contrast, this book investigates chosen practices of silence in the lives of Christian women today, evidencing its potential for enabling profound relationality and empowerment within their spiritual journeys. Opening with an exploration of Christianity’s reclamation of practices of silence in the twentieth century, this contemporary ethnographic study engages with wider academic conversations about silence. Its substantive theological and empirical exploration of women’s practices of silence demonstrates that, for some, silence-based prayer is a valued space for encounter and transformation in relationships with God, with themselves and with others. Utilising a methodology that proposes focusing on silence throughout the qualitative research process, this study also illustrates a new model for depicting relational change. Finally, the book urges practical and feminist theologians to re-examine silence’s potential for facilitating the development of more authentic and responsible relationality within people’s lives. This is a unique study that provides new perspectives on practices of silence within Christianity, particularly amongst women. It will, therefore, be of significant interest to academics, practitioners and students in theology and religious studies with a focus on contemporary religion, spirituality, feminism, gender and research methods.

In this "intelligent", "stunning", and "honest" book, Charlotte Pierce-Baker weaves together the accounts of black women who have been raped and who have felt that they had to remain silent in order to protect themselves and their race. It opens with the author's harrowing and courageous account of her rape and includes the stories of the author's own family's response, plus the voices of black men who have supported rape survivors.

A classic epic poem about Mary's fidelity and piety.

The result is a deeper and richer appreciation of girls' development and women's psychological health.