A Washington Post Notable Book One of the Best Books of the Year: NPR, The Economist, Financial Times Shortlisted for the Costa Novel Award Finalist for the Women’s Prize for Fiction Here is the story of the Iliad as we’ve never heard it before: in the words of Briseis, Trojan queen and captive of Achilles. Given only a few words in Homer’s epic and largely erased by history, she is nonetheless a pivotal figure in the Trojan War. In these pages she comes fully to life: wry, watchful, forging connections among her fellow female prisoners even as she is caught between Greece’s two most powerful warriors. Her story pulls back the veil on the thousands of women who lived behind the scenes of the Greek army camp—concubines, nurses, prostitutes, the women who lay out the dead—as gods and mortals spar, and as a legendary war hurtles toward its inevitable conclusion. Brilliantly written, filled with moments of terror and beauty, The Silence of the Girls gives voice to an extraordinary woman—and makes an ancient story new again.

A daring and timely feminist retelling of The Iliad from the perspective of the women of Troy who endured it—an extraordinary follow up to The Silence of the Girls from the Booker Prize-winning author of The Regeneration Trilogy and “one of contemporary literature’s most thoughtful and compelling writers" (The Washington Post). Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean. It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

The summer before the Berlin Wall collapses, a young American art histo- rian whose husband has disappeared returns to the divided city seeking truths she believes he might have kept from her. There, she falls again under the spell of an exiled East German artist whose stories of Greek mystics once made him as irresistible as he was forbidding. In this novel of conflicting allegiances played out between a richly realized late Cold War Berlin and the stark beauty of the Cycladic islands, travellers, natives, and refugees circle one another warily, their fates hanging on the question of which trusts if any, will remain unviolated.

'A deft, satisfying and poignant collection of stories . . . I loved it.' PANDORA SYKES 'Huma Qureshi is a writer I know I'll be reading for years and years and years' Natasha Lunn, author of Conversations on Love A breathtaking collection of stories about our most intimate relationships, and the secrets, misunderstandings and silences that haunt them. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer make sense to each other away from home. Set across the blossoming English countryside, the stifling Mediterranean, and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. *Longlisted for the Jhalak Prize* *Longlisted for the Edge Hill Prize* 'These are stories of fierce clarity and tenderness - I loved them' LUCY CALDWELL, author of Intimacies 'Qureshi writes with courage' Ingrid Persaud, author of Love After Love

A GUARDIAN BEST BOOK OF THE 21ST CENTURY 'Chilling, powerful, audacious' The Times 'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . . Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story? PERFECT FOR FANS OF MADELINE MILLER'S CIRCE AND THE SONG OF ACHILLES. *Shortlisted for the Women's Prize for Fiction and the Costa Novel Award* Pat Barker continues her extraordinary retelling of one of our greatest myths in The Women of Troy.

In The Silence of Heaven, the world renowned Israeli novelist Amos Oz introduces us to an extraordinary masterpiece of Hebrew literature that is just now appearing in English, S. Y. Agnon's Only Yesterday. For Oz, Agnon is a treasure trove of a world no longer available to today's writers, yet deeply meaningful for his wonderment about God, the submerged eroticism of his writing, and his juggling of multiple texts from the historical Hebrew religious library. This collection of Oz's reflections on Agnon, which includes an essay on the essence of his ideology and poetics, is a rich interpretive work that shows how one great writer views another. Oz admires Agnon especially for his ability to invoke and visualize the religious world of the simple folk in Eastern European Jewry, looking back from the territorial context of the Zionist revival in Palestine. The tragedy of Agnon's visions, Oz maintains, lies in his perspicacity. Long before the Holocaust, Agnon saw the degeneration, ruin, and end of Jewish culture in Eastern Europe. He knew, too, that the Zionist project was far from being a secure conquest and its champions far from being happy idealists. Oz explores these viewpoints in a series of thick readings that consider the tensions between faith and the shock of doubt, yearnings and revulsion, love and hate, and intimacy and disgust. Although Oz himself is interested in particular ideological questions, he has the subtle sensibility of a master of fiction and can detect every technical device in Agnon's arsenal. With the verve of an excited reader, Oz dissects Agnon's texts and subtexts in a passionate argument about the major themes of Hebrew literature. This book also tells much about Oz. It represents the other side of Oz's book of reportage, In the Land of Israel, this time exploring the ideologies of Jewish identity not on the land but in texts of the modern classical heritage. The Silence of Heaven hence takes us on a remarkable journey into the minds of two major literary figures.

Winner of the Petrona Award 2015! From the queen of Icelandic crime fiction comes a truly chilling story that will leave readers breathless right up to the memorable ending. This is possibly her best book yet. Bestselling and award-winning Icelandic crime author Yrsa Sigurdardóttir has produced here a dazzling display of brilliant crime writing that is both groundbreaking and immensely satisfying. As The Silence of the Sea opens, a luxury yacht crashes into a Reykjavik pier. But the boat is empty; no one is on board. What has happened to the crew? And what has happened to the family who were very much present when the yacht left Lisbon? What should Thora Gudmundsdottir, the series sleuth, make of the rumors that the vessel was cursed? She is spooked even more when she boards the yacht and thinks she sees one of the missing children. Where is Karitas, the glamorous young wife of the yacht's former owner? And whose is the body that has washed up further along the shore? The most chilling novel yet from Yrsa Sigurdardottir, an international best-selling author at the height of her powers.