Young readers (and adults, too) will feel transported by the clever, intricate plotline and superb, sweeping illustrations of this second title in the Three Thieves series. The action resumes as our three goodhearted fugitives stop at a roadside inn during a ferocious thunderstorm. Narrow escapes ensue as Grig, the scheming and selfish innkeeper, endeavors to capture the trio and secure a reward from the Queen. Tensions mount further as the Queen's Dragons arrive at the tavern, hot on the trail of the fugitives and immediately suspicious of the smarmy Grig. Will Grig get his due? Will the fugitives escape? And why hasn't Grig's gentle wife spoken a word in ten years? You can bet she's got a secret.

The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.

Erin loves to lie on the jetty, looking for the weirdest fish in the sea--the weirder, the better! And she knows the best ones must be further out, where her mum won't let her go . . . Out there in the deepest sea lies the Black Rock: a huge, dark and spiky mass that is said to destroy any boats that come near it! Can Erin uncover the truth behind this mysterious legend? Joe Todd-Stanton's first picture book,Arthur and the Golden Rope, was published by Flying Eye Books in 2016.

To visiting geologists, Black Rock, New Mexico, is a basaltic escarpment and an ideal natural laboratory. To hospital workers, Black Rock is a picturesque place to earn a living. To the Zuni, the mesas, arroyos, and the rock itself are a stage on which the passion of their elders is relived. William A. Dodge explores how a shared sense of place evolves over time and through multiple cultures that claim the landscape. Through stories told over many generations, this landscape has given the Zuni an understanding of how they came to be in this world. More recently, paleogeographers have studied the rocks and landforms to better understand the world as it once was. Archaeologists have conducted research on ancestral Zuni sites in the vicinity of Black Rock to explore the cultural history of the region. In addition, the Anglo-American employees of the Bureau of Indian Affairs came to Black Rock to advance the federal Indian policy of assimilation and brought with them their own sense of place. Black Rock has been an educational complex, an agency town, and an Anglo community. Today it is a health care center, commercial zone, and multiethnic subdivision. By describing the dramatic changes that took place at Black Rock during the twentieth century, Dodge deftly weaves a story of how the cultural landscape of this community reflected changes in government policy and how the Zunis themselves, through the policy of Indian self-determination, eventually gave new meanings to this ancient landscape.

Blackrock is a noted residential area on Dublin's south side, close to Dublin Bay. Once a small fishing village, its modern streets are lined with centuries of historical interest, from old houses and churches to one of the oldest roads in the country. From schooldays to sporting greats, a host of famous people have had their beginnings here. Éamon de Valera, Seamus Heaney and Bob Geldof have all taught at various academic institutions in the area, and Brian O'Driscoll learned to play rugby at Blackrock College. A reliable reference and handy guide to Blackrock past and present, this book can be dipped into time and again to reveal something new about the people, heritage and secrets of Blackrock.

This is a story that few know, but those who do are its disciples. The story, of the highest and driest of all American deserts, the Great Basin, has no finer voice than that of William Fox. Fox’s book is divided into the three sections of the title. In “The Void,” he leads us through the Great Basin landscape, investigating our visual response to it—a pattern of mountains and valleys on a scale of such magnitude and emptiness and undifferentiated by shape, form, and color that the visual and cognitive expectations of the human mind are confounded and impaired. “The Grid” leads us on a journey through the evolution of cartography in the nineteenth century and the explorations of John Charles Frémont to the net of maps, section markers, railroads, telegraph lines, and highways that humans have thrown across the void throughout history. “The Sign” wends us through the metaphors and language we continue to place around and over the void, revealing the Great Basin as a palimpsest where, for example, the neon boulevards of Las Vegas interplay with ancient petroglyphs. In this one-of-a-kind travel book that allows us to travel within our own neurophysiological processes as well as out into the arresting void of the Great Basin, Fox has created a dazzling new standard at the frontier of writing about the American West. His stunning and broad insight draws from the fields of natural history, cognitive psychology, art history, western history, archaeology, and anthropology, and will be of value to scholars and readers in all these subjects.