The sigiriya paw' Based on 'Maharana', the great Buddhist chronicle of Sri Lanka, “is truly like one of the Puranas. But the style is so uniquely endearing that you don't realise when the Purana entered the present, transiting seamlessly through history. The anxious characters of ancient past, driven into a vicious circle of lust and excesses, rivalries and conspiracies, consumed by their fears and need for revenge; and the Intimacies and heartbreaks of their relationships – all blended together into such a compelling narrative of abuse of power and human anguish that we can see the present day world reflected in it every step of the way.

This travel and pilgrimage guidebook is meant primarily for Buddhists or those interested in Buddhism who wish to explore Sri Lanka’s rich cultural and spiritual heritage. Drawing on his extensive knowledge of the island, the author weaves together archaeological findings, art history and the stories and legends of the Buddhist tradition to bring to life thirty-three places of religious significance.

In the fifth century Kasyapa I acquires his throne by murdering his father, who he plasters up alive into a wall. Unable to redeem himself with his people for this crime he abandons his capital and flees deep into the inhospitable forests of central Sri Lanka. There, in an area dominated by a massive black column of rock, he builds himself a new capital. At the center of his new city is the royal citadel, a terrestrial paradise of colorful gardens, pavilions and ponds. The once dark and foreboding rock he transforms to appear like a huge dazzling white cloud. Around its girth, like a giant colorful cummerbund, he paints an exquisite tapestry depicting celestial nymphs. Then on an escarpment half way up this sheer rock he then builds a colossal gatehouse in the form of a fearsome sphinx-like lion giving his lair it name, Sigiriya-Lion Mountain. There on its summit, hidden from view, he lives in splendid isolation tormented by fear and guilt. His city thrives for less than fourteen year. Then as quickly as it appears it disappears, abandoned, and quickly forgotten; relegated to an obscure footnote in history. This is the story of Kashyapa and his masterpiece-Sigiriya as it has never been told before.

Besides the efforts that are of a descriptive and celebrative nature, studies related to Sri Lanka's historical built heritage largely view material remains in historical, sociological, socio-historical and semiological perspectives. There is hardly any serious attempt to view such material remains from a technical-analytical approach to understand the compositional aspects of their design. The 5th century AC royal complex at Sigiriya is no exception in this regard. The enormous wealth of information and the material remains unearthed during more than 100 years of field-based research by several generations of archaeologists provide an ideal opportunity for such analysis. The Sigiriya Royal Gardens fills the gap in research related to Sri Lanka's historical built heritage in general, and to Sigiriya in particular. Therefore, the present research attempts to read Sigiriya as a landscape architectonic design to expose its architectonic composition and design instruments.

Originally published in 1958, this volume discusses the Buddhist monuments of Sri Lanka, which represent a distinctive and valuable portion of the art of the ancient and medieval world. It traces the development of this artistic achievement and places it in the appropriate religious, philosophical and historical context. Supporting the text are thirty-one black & white plates and a glossary of terms used helps to guide the reader throughout the book.