A fresh and acclaimed account of the Spanish Civil War by the bestselling author of Stalingrad and The Battle of Arnhem To mark the 70th anniversary of the Spanish Civil War's outbreak, Antony Beevor has written a completely updated and revised account of one of the most bitter and hard-fought wars of the twentieth century. With new material gleaned from the Russian archives and numerous other sources, this brisk and accessible book (Spain's #1 bestseller for twelve weeks), provides a balanced and penetrating perspective, explaining the tensions that led to this terrible overture to World War II and affording new insights into the war-its causes, course, and consequences.

By the spring of 1936 an armed clash was imminent between the forces of Spain's extreme Left and extreme Right. Viewed largely as a confrontation between democracy and fascism, the resulting civil war proved to be of enormous international significance. Nazi Germany and Fascist Italy intervened to assist General Franco, while the Soviet Union came to the aid of the Republican forces. This book explains the background to the war and charts the course of the nearly three-year long conflict through to General Franco's victory. Photographs and colour plates illustrate the uniforms and equipment of the Republican and Nationalist armies.

During the Spanish Civil War many groups on the European right were galvanised by the Nationalist cause. This book recounts the experiences of a number of foreign volunteers, all of whom saw their engagement in Spain as a means of promoting their own political causes at home.

Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation?s past?monuments, cultural property, and art-historical icons?were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

Why be satisfied with leftist propaganda on the Spanish Civil War? Carroll's treatment of the events of 1936 is singular in Anglo-American scholarship for seeing the conflict for what is truly was: a death struggle against the Christian faith and a war against Christian civilization in Europe. This outstanding work of scholarship illustrates the phenomenon of the traditionalist as revisionist: the distortions of decades of Marxist historiography are overturned in Carroll's narration of the bloody struggle to preserve Western civilization in the heart of 20th century Europe.