Jemima, who is raising the child her late twin sister left in her care, is approached by Italian billionaire Luciano Vitale and treated with contempt. He demands to know where his eight-month-old child is, naming Jemima’s sister as the surrogate who gave birth to the baby and stole him. Jemima fears Luciano will take her nephew away if he discovers that she isn’t her sister. So Jemima pretends to be her sister and travels with him to his mansion. She must somehow maintain her secret or risk losing her adopted son forever.

Jemima, who is raising the child her late twin sister left in her care, is approached by Italian billionaire Luciano Vitale and treated with contempt. He demands to know where his eight-month-old child is, naming Jemima’s sister as the surrogate who gave birth to the baby and stole him. Jemima fears Luciano will take her nephew away if he discovers that she isn’t her sister. So Jemima pretends to be her sister and travels with him to his mansion. She must somehow maintain her secret or risk losing her adopted son forever.

"A pioneering work in the field of art history, The Image of the Black in Western Art is a comprehensive series of ten books which offers a lavishly illustrated history of the representations of people of African descent from antiquity to the present. Each book includes a series of essays by some of the most distinguished names in art history. Ranging from images of Pharaohs created by unknown hands almost 3,500 years ago to the works of the great masters of European and American art such as Bosch, Dürer, Mantegna, Rembrandt, Rubens, Watteau, Hogarth, Copley, and Goya to stunning new media creations by contemporary black artists, these books are generously illustrated with beautiful, moving, and often little-known images of black people. Black figures-queens and slaves, saints and soldiers, priests and prisoners, dancers and athletes, children and gods-are central to the visual imagination of Western civilization. Written in accessible language, the extensive and insightful commentaries on the illustrations by distinguished art historians make this series invaluable for the general reader and the specialist alike."--Résumé de l'éditeur.