This story is based on one found on a papyrus scroll of hieroglyphs from the nineteenth century B.C., Egypt. It tells the tale of a voyage on the Red Sea to a mysterious and enchanted land of riches located south of Egypt. On his way to the King's gold mines, a sailor is shipwrecked on a magic island, the Island of the Soul. Not long after he arrives, a gigantic serpent with scales of gold appears and reveals to the sailor that he is the Prince of Punt, and is also a lone survivor. The two become good friends, but one day a ship comes to rescue the sailor. Bearing gifts from the Prince, the sailor returns to Egypt with full hands, and a full heart. This is a tale of the surprising (and fortuitous) bonds that unite us, and of the good that comes to us when we least expect it. Tamara Bower's lush illustrations are rendered in Egyptian style, and phrases from the story appear in hieroglyphs with their literal translations.

Sam fights in a fierce battle against the Danish Fleet, led by none other than Admiral Nelson himself, and against all odds victory is theirs. Peace is declared and Britain's war with most of Northern Europe is over. Sam can go home. But on the journey back, he witnesses a crime, for which he is framed. He is sentenced to death, but at the last minute this sentence is commuted to transportation to Australia. With petty thieves, vicious criminals, women and other children, Sam begins an eight month journey to the other side of the world, and a life of slavery in the harsh Australian interior. He knows that, against all odds, he must escape.

Tales of shipwreck have always fascinated audiences, and as a result there is a rich literature of suffering at sea, and an equally rich tradition of visual art depicting this theme. Exploring the shifting semiotics and symbolism of shipwreck, the interdisciplinary essays in this volume provide a history of a major literary and artistic motif as they consider how depictions have varied over time, and across genres and cultures. Simultaneously, they explore the imaginative potential of shipwreck as they consider the many meanings that have historically attached to maritime disaster and suffering at sea. Spanning both popular and high culture, and addressing a range of political, spiritual, aesthetic and environmental concerns, this cross-cultural, comparative study sheds new light on changing attitudes to the sea, especially in the West. In particular, it foregrounds the role played by the maritime in the emergence of Western modernity, and so will appeal not only to those interested in literature and art, but also to scholars in history, geography, international relations, and postcolonial studies.