A personal portrait and appreciation of the master architect, written by his widow.

Kamal Amin, an Egyptian-American architect, spent eight years training with Frank Lloyd Wright, and then remained associated with Wright's Taliesin Fellowship for eighteen years after Wright's death. Reflections from the Shining Brow is a fascinating variation on the immigrant experience, as well as the account of being mentored by a giant who was still at the height of his powers well into his eighties.

A personal portrait and appreciation of the master architect, written by his widow.

Weaves a narrative from Olgivanna's previously unpublished autobiography, together with vignettes from her other writings books, newspaper columns, and presentations.

Originally commissioned by Madison Opera as a libretto for American composer Daron Aric Hagen, Shining Brow can be read as a dramatic poem in its own right. Displaying all the structural ingenuity and subtle resonance that have marked Paul Muldoon as the most influential poet of his generation, it tells, with suitable bravura, the story of architectural genius Frank Lloyd Wright and his catastrophic affair with the wife of a wealthy client.

In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867–1959) began it with his romantic prairie style; Johnson (1906–2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.