For fans of Sorcery of Thorns and Furyborn comes a thrilling new fantasy about a kingdom ravaged by war, and the princess who might be the key to saving not only those closest to her, but the kingdom itself, if she reveals the very secret that could destroy her. The kingdom of Hálendi is in trouble. It's losing the war at its borders, and rumors of a new, deadlier threat on the horizon have surfaced. Princess Jennesara knows her skills on the battlefield would make her an asset and wants to help, but her father has other plans. As the second-born heir to the throne, Jenna lacks the firstborn's--her brother's--magical abilities, so the king promises her hand in marriage to the prince of neighboring Turia in exchange for resources Hálendi needs. Jenna must leave behind everything she has ever known if she is to give her people a chance at peace. Only, on the journey to reach her betrothed and new home, the royal caravan is ambushed, and Jenna realizes the rumors were wrong--the new threat is worse than anyone imagined. Now Jenna must decide if revealing a dangerous secret is worth the cost before it's too late--for her and for her entire kingdom. A Whitney Award Nominee "A gorgeous fantasy that captivates from beginning to end."--KATHRYN PURDIE, #1 New York Times bestselling author of Burning Glass and Bone Crier's Moon "YA fantasy at its most fun."--DANA SWIFT, author of Cast in Firelight

Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work. As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.

This dual biography of Malcolm X and Martin Luther King upends longstanding preconceptions to transform our understanding of the twentieth century's most iconic African American leaders. To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.

Once upon a time, shields were meant to protect. This is not one of them. An exciting new technology with limitless entertainment possibilities turns out to be a lot more than anyone had bargained for.

A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.