A personal memoir of a gay great-great-grandson of CIvil War general and president Ulysses S. Grant.

Publisher Description

From the two-time Pulitzer Prize finalist, bestselling historian, and author of Our First Civil War—a masterful biography of the Civil War general and two-term president who saved the Union twice, on the battlefield and in the White House. • “[A] splendidly written biography ... Brands does justice to one of America’s most underrated presidents.” —Dallas Morning News Ulysses Grant emerges in this masterful biography as a genius in battle and a driven president to a divided country, who remained fearlessly on the side of right. He was a beloved commander in the field who made the sacrifices necessary to win the war, even in the face of criticism. He worked valiantly to protect the rights of freed men in the South. He allowed the American Indians to shape their own fate even as the realities of Manifest Destiny meant the end of their way of life. In this sweeping and majestic narrative, bestselling author H.W. Brands now reconsiders Grant's legacy and provides an intimate portrait of a heroic man who saved the Union on the battlefield and consolidated that victory as a resolute and principled political leader. Look for H.W. Brands's other biographies: THE FIRST AMERICAN (Benjamin Franklin), ANDREW JACKSON, TRAITOR TO HIS CLASS (Franklin Roosevelt) and REAGAN.

Simultaneously ancient and modern, the figure of Ulysses is an ideal observation-point from which to measure the similarities and differences between the otherness ('alterity') of the past and the 'modernity' of the present. Boitani sees Ulysses as a figure which every culture is free to interpret, according him values rooted on the one hand in the mythical qualities of Odysseus as a character, and on the other in the ideals, problems, and philosophical, ethical, and political horizons of the individual civilization. The Shadow of Ulysses follows the evolution of the sign through the ages, returning continuously as it does so to problems of intertextuality, interpretation, and reading. The sign appears as a 'shadow' both because by means of it, poetry describes humanity's journey to the other world of death, and because, in a figural connotation, Ulysses 'foreshadows' Columbus's and Vespucci's historical voyages to the New World.

Simultaneously ancient and modern, the figure of Ulysses is an ideal observation-point from which to measure the similarities and differences between the otherness ('alterity') of the past and the 'modernity' of the present. Boitani sees Ulysses as a figure which every culture is free to interpret, according him values rooted on the one hand in the mythical qualities of Odysseus as a character, and on the other in the ideals, problems, and philosophical, ethical, and political horizons of the individual civilization. The Shadow of Ulysses follows the evolution of the sign through the ages, returning continuously as it does so to problems of intertextuality, interpretation, and reading. The sign appears as a 'shadow' both because by means of it, poetry describes humanity's journey to the other world of death, and because, in a figural connotation, Ulysses 'foreshadows' Columbus's and Vespucci's historical voyages to the New World.

The result of this confrontation, Kimball argues as a central tenet in her unique reading of Ulysses, is the gradual development of a relationship between the two protagonists that parallels C. G.