When I returned home from my latest deployment in the U.S. Army, my life began to fall apart. My nightmares and flashbacks kept getting worse, and I reached the point where I was afraid of sleep. I decided the best days of my life were behind me and decided I was going to take my own life. One night, after heavy drinking, I placed my 1911 pistol in my mouth and said a prayer in my mind. “God, if you're there, save me,” but there was no response.I heard a metallic “click” when I deactivated the safety and began to slowly squeeze the trigger. Then I heard a BANG! I dropped the pistol and I looked around me, but there was no blood. The bang I heard was the Bible on my desk falling and hitting the floor. I fell to my knees and asked God for forgiveness. I surrendered to Jesus Christ and asked him to help me. He answered.

"Former NFL star Kermit Alexander tells the ... true story of the ... massacre of his family and his subsequent years of despair, followed by a spiritual renewal that showed him a way to rebuild his family and reclaim his life"--Amazon.com.

The third in the detective series that started with Wages of Sin and Day of Atonement, this thrilling page-turner explores what happens when homicide detective Troy Evans is framed for the murder of his ex—and the secrets that got him there. A devoted husband, father, and detective, Troy will do anything to protect his family—including kill. In a fit of rage, he threatens the life of an ex-girlfriend when she attempts to cause trouble in his marriage. Little does Troy know, his words are caught on tape and will eventually come back to haunt him. When Troy’s ex mysteriously disappears, he is convinced that she staged her disappearance to get back at him for his rejection, and his assessment seems plausible—until her body is discovered. Soon, Troy becomes the prime suspect in the murder investigation. And as secrets of the past begin to surface, they threaten to destroy more than his reputation; his marriage is at risk too, and ignoring the problem won’t make it go away. Now on the opposite side of the law, Troy works diligently to find out who has gone to such great lengths to set him up. With a cloud of suspicion hanging over his head, Troy must prove that he’s neither a cheater nor a murderer. If he fails, he could permanently lose his badge, his freedom, and his family.

Sheila M. Rothman documents a fascinating story. Each generation had its own special view of the origins, transmission, and therapy for the disease, definitions that reflected not only medical knowledge but views on gender obligations, religious beliefs, and community responsibilities. In general, Rothman points out, tenacity and resolve, not passivity or resignation, marked people's response to illness and to their physicians.

Rūdolfs Blaumanis's 1899 short story masterpiece, based on a contemporary newspaper account, tells of several fishermen lost at sea after the ice floe on which they work calves off and drifts away rapidly. One by one, the thirteen men and a boy must deal with the creeping reality that they may not see the mainland -- or their loved ones -- again. There is fish to eat, and two horses if necessary, but the very surface of the floe is eroding steadily ... and the nights are cold and terrible. Without ever moralising or over-elaborating, Blaumanis coolly and efficiently observes the state of each of the main characters in turn, whether natural leaders, optimists, craven opportunists, terrified, stoic, compassionate or alienated. In the shadow of encroaching death, each must come to some kind of reckoning.

The press called Martin's actions a "crime spree." Already convicted of armed robbery, Martin was facing the death penalty. In less than two weeks the jury would decide his fate. Terrified that his son would be sentenced to die, Phillip did the only thing he felt he could do: in an act of faith and desperation in his garage with the car exhaust running, Phillip made the consummate sacrifice to spare his son the ultimate punishment. Ironically, his suicide presented Martin's with another chance at life; the jury, moved by Martin's loss, spared his life. Phillip's story-like those of the other parents, siblings, children, and cousins chronicled in this book-vividly illustrates the precarious position family members of capital offenders occupy in the criminal justice system. At once outsiders and victims, they live in the shadow of death, crushed by trauma, grief, and helplessness. In this penetrating account of guilt and innocence, shame and triumph, devastating loss and ultimate redemption, the voices of these family members add a new dimension to debates about capital punishment and how communities can prevent and address crime. Restorative justice theory, which views violent crime as an extreme violation of relationships; searches for ways to hold offenders accountable; and meets the needs of victims and communities torn apart by the crime, organizes these narratives and integrates offenders' families into the process of transforming conflict and promoting justice and healing for all. What emerges from hundreds of hours' worth of in-depth interviews with family members of offenders and victims, legal teams, and leaders in the abolition and restorative justice movements is a vision of justice strongly rooted in the social fabric of communities. Showing that forgiveness and recovery are possible in the wake of even the most heinous crimes, while holding victims' stories sacred, this eye-opening book bridges the pain of living in the shadow of death with the possibility of a reparative form of justice. Anyone working with victims, offenders, and their families-from lawyers and social workers to mediators and activists-will find this riveting work indispensable to their efforts.

This version of 'Shadows from the Walls of Death' is a tribute to Robert Clark Kedzie, who produced the originals of which there are now only two left in existence. They are located at the University of Michigan and Michigan State University. The originals are approximately 22 x 30 inches containing a title page and an 8 page preface followed by 86 samples cut from rolls of arsenic impregnated wallpaper. The book is sealed in a protective container and each individual page is encapsulated. This particular edition does not actually contain any arsenic. Further to that the content of this volume including both text and images are for entertainment purposes.