Over the course of the past century, sexual liberation has transformed the way in which most of us regard our bodies and live our sexual lives. Now a preeminent psychoanalytic theoretician on sex and gender discusses what has gone into this unquiet revolution-the roles played by sexologists and psychoanalysts, antibiotics and birth control, the liberation movements, and Freud’s insight that sex has as much to do with the mind as with the genitals.In this collection of new and previously published papers, Ethel Person writes of the centrality of sexuality to our identity. She describes the role of fantasy in desire, its different expression in the sexes, and the way in which desire is inevitably intertwined with power. Her classic papers on transvestism, transsexualism, and cross-dressing homosexuals, written with Lionel Ovesey, help us to understand how gender and sex develop in all of us. The public acceptance of the transsexual, says Person, is emblematic of the profound scientific and intellectual shifts that have taken place in the past hundred years. The way that sex and gender develop and are experienced and expressed is the resultnot only of nature and nurture but also of the cultural zeitgeist, its unspoken values and biases.

What did sex mean for ordinary people before the sexual revolution of the 1960s and 1970s, who were often pitied by later generations as repressed, unfulfilled and full of moral anxiety? This book provides the first rounded, first-hand account of sexuality in marriage in the early and mid-twentieth century. These award-winning authors look beyond conventions of silence among the respectable majority to challenge stereotypes of ignorance and inhibition. Based on vivid, compelling and frank testimonies from a socially and geographically diverse range of individuals, the book explores a spectrum of sexual experiences, from learning about sex and sexual practices in courtship, to attitudes to the body, marital ideals and birth control. It demonstrates that while the era's emphasis on silence and strict moral codes could for some be a source of inhibition and dissatisfaction, for many the culture of privacy and innocence was central to fulfilling and pleasurable intimate lives.

From the Restoration through the eighteenth century, the sexuality of actors and actresses was written about in ways that stirred the public imagination: actors were frequently suspected of heterosexual promiscuity or labeled effeminate or even as "sodomites," and actresses were often viewed as prostitutes or sexually ambivalent victims of their profession. This depiction of players, argues Kristina Straub, greatly shaped public debates over what made women feminine and men masculine. Considering a wide range of literature by or about players--pamphlets, newspaper reports, theatrical histories, biographies, as well as the public correspondence between Alexander Pope and the famous actor Colley Cibber--she examines the formation of gender roles and sexual identities during a period crucial to modern thinking on these issues. Drawing from feminist-materialist and gay and lesbian theories and historiographies, Straub analyzes the complex development of spectacle and spectatorship as gendered concepts. She also reveals how national, racial, and class differences contributed to the subjection of players as professional spectacles and how images of race, class, and gender combined to create divisions between "normal" and "deviant" sexuality.

Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century. Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

There was a moment in the 1970s when sex was what mattered most to feminists. White middle-class women viewed sex as central to both their oppression and their liberation. Young women started to speak and write about the clitoris, orgasm, and masturbation, and publishers and the news media jumped at the opportunity to disseminate their views. In Desiring Revolution, Gerhard asks why issues of sex and female pleasure came to matter so much to these "second-wave feminists." In answering this question Gerhard reveals the diverse views of sexuality within feminism and shows how the radical ideas put forward by this generation of American women was a response to attempts to define and contain female sexuality going back to the beginning of the century. Gerhard begins by showing how the "marriage experts" of the first half of the twentieth century led people to believe that female sexuality was bound up in bearing children. Ideas about normal, white, female heterosexuality began to change, however, in the 1950s and 1960s with the widely reported, and somewhat shocking, studies of Kinsey and Masters and Johnson, whose research spoke frankly about female sexual anatomy, practices, and pleasures. Gerhard then focuses on the sexual revolution between 1968 and 1975. Examining the work of Betty Friedan, Germaine Greer, Erica Jong, and Kate Millet, among many others, she reveals how little the diverse representatives of this movement shared other than the desire that women gain control of their own sexual destinies. Finally, Gerhard examines the divisions that opened up between anti-pornography (or "anti-sex") feminists and anti-censorship (or "pro-sex") radicals. At once erudite and refreshingly accessible, Desiring Revolution provides the first full account of the unfolding of the feminist sexual revolution.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

At a moment when "freedom of religion" rhetoric fuels public debate, it is easy to assume that sex and religion have faced each other in pitched battle throughout modern U.S. history. Yet, by tracking the nation's changing religious and sexual landscapes over the twentieth century, this book challenges that zero-sum account of sexuality locked in a struggle with religion. It shows that religion played a central role in the history of sexuality in the United States, shaping sexual politics, communities, and identities. At the same time, sexuality has left lipstick traces on American religious history. From polyamory to pornography, from birth control to the AIDS epidemic, this book follows religious faiths and practices across a range of sacred spaces: rabbinical seminaries, African American missions, Catholic schools, pagan communes, the YWCA, and much more. What emerges is the shared story of religion and sexuality and how both became wedded to American culture and politics. The volume, framed by a provocative introduction by Gillian Frank, Bethany Moreton, and Heather R. White and a compelling afterword by John D'Emilio, features essays by Rebecca T. Alpert and Jacob J. Staub, Rebecca L. Davis, Lynne Gerber, Andrea R. Jain, Kathi Kern, Rachel Kranson, James P. McCartin, Samira K. Mehta, Daniel Rivers, Whitney Strub, Aiko Takeuchi-Demirci, Judith Weisenfeld, and Neil J. Young.