A historic family drama based in and near 1640 Amsterdam, the wealthiest city on earth at the time, The Seventh Etching tells the story of two families over a one-year period. Both Griet and Johannes Verhoeven, farmers, in their early 20s and Jos and Myriam Broekhof, wealthy merchants in their 30s, face devastating losses that threaten their livelihoods and their marriages. After a major flood, Griet and Johannes attempt to rebuild two combined family farms a unique, promising inheritance that initially brought them together, but now overwhelms them. Myriam secretly sells her husbands valuable art collection to build a hidden monument to her deceased daughter. Jos suffers despair and defeat as he combs every corner of the city in his obsessive attempt to complete a set of playfully erotic etchings. It is a six-year old Gypsy orphan, Nelleke, who connects the two couples. Sprightly and spirited, Nelleke both delights and exasperates. Might this mysterious child have the power to heal struggling adults and find the permanent home she seeks? Does she, innocently and unknowingly, hold the clue to the missing etching, as Jos suspects?

A historic family drama based in and near 1640 Amsterdam, the wealthiest city on earth at the time, The Seventh Etching tells the story of two families over a one-year period. Both Griet and Johannes Verhoeven, farmers, in their early 20's and Jos and Myriam Broekhof, wealthy merchants in their 30's, face devastating losses that threaten their livelihoods and their marriages. After a major flood, Griet and Johannes attempt to rebuild two combined family farms - a unique, promising inheritance that initially brought them together, but now overwhelms them. Myriam secretly sells her husband's valuable art collection to build a hidden monument to her deceased daughter. Jos suffers despair and defeat as he combs every corner of the city in his obsessive attempt to complete a set of playfully erotic etchings. It is a six-year old Gypsy orphan, Nelleke, who connects the two couples. Sprightly and spirited, Nelleke both delights and exasperates. Might this mysterious child have the power to heal struggling adults and find the permanent home she seeks? Does she, innocently and unknowingly, hold the clue to the missing etching, as Jos suspects?

Despite the recent history of violence and destruction, Bosnia-Herzegovina holds a positive place in history, marked by a continuous interweaving of different religious cultures. The most expansive period in that regard is the Ottoman rule that lasted here nearly five centuries. As many Bosnians accepted Islam, the process of Islamization took on different directions and meanings, only some of which are recorded in the official documents. This book underscores the importance of material culture, specifically gravestones, funerary inscriptions and images, in tracing and understanding more subtle changes in Bosnia’s religious landscape and the complex cultural shifts and exchange between Christianity and Islam in this area. Gravestones are seen as cultural spaces that inscribe memory, history, and heritage in addition to being texts that display, in image and word, first-hand information about the deceased. In tackling these topics and ideas, the study is situated within several contextual, theoretical, and methodological frameworks. Raising questions about religious identity, history, and memory, the study unpacks the cultural and historical value of gravestones and other funerary markers and bolsters their importance in understanding the region’s complexity and improving its visibility in global discussions around multiculturalism and religious pluralism. Drawing upon several disciplinary methods, the book has much to offer anyone looking for a better understanding of the intersection of Christianity and Islam, as well as those with an interest in death studies.

The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.