This volume explores the sense and sensibility of madness in literature and the arts. As madwomen and madmen venture into unchartered or prohibited terrain, they disrupt normalcy. Yet, they may also unleash the liberatory and transformative potential of unrestrained madness.

Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.

The true story based on the diaries of murderer Michel Oros. Originally, after the fatal shootout with Oros at Teslin Lake, I had no intention of writing this book. In fact, when Garry Rodgers and I sat in the Skeena Pub after he got back and discussed the details of his experience, the very idea that someone might write the story - glorifying Oros, sensationalizing the murders and trivializing Mike Buday's death - was repugnant. Black and white reprint.

For over 500 years, women have suffered claims of mental decay solely on account of their gender. Frigid, insane, not quite there, a witch in sheep's clothing, labels that have cast her as the fragile species and destroyer of Man.This book reveals attitudes, ideas and responses on what was to be done with 'mad women' in Britain.Journey back into the unenlightened Middle Ages to find demonic possession, turbulent humours and the wandering womb. In the Puritan Age, when the mad were called witches and scolds ducked for their nagging. The age of Austen and a sense and sensibility created from her fragile nerves. Then descend into Victorian horrors of wrongful confinement and merciless surgeons, before arriving, just half a century past, to the Viennese couch and an obligation to talk.At the heart of her suffering lay her gynaecological make-up, driving her mad every month and at every stage of her life. Terms such as menstrual madness, puerperal insanity and 'Old Maid's Insanity' poison history's pages.An inescapable truth is now shared: that so much, if not all, was a male creation. Though not every medic was male, nor every male a fiend, misogynist thought shaped our understanding of women, set down expectations and 'corrected' the flawed.The book exposes the agonies of life for the 'second class' gender; from misdiagnosis to brutal oppression, seen as in league with the Devil or the volatile wretch. Touching no less than six centuries, it recalls how, for a woman, being labelled as mad was much less a risk, more her inevitable burden.

Despite the many ways in which the so-called psychoses can become manifest, they are ultimately human events arising out of human contexts. As such, they can be understood in an intersubjective manner, removing the stigmatizing boundary between madness and sanity. Utilizing the post-Cartesian psychoanalytic approach of phenomenological contextualism, as well as almost 50 years of clinical experience, George Atwood presents detailed case studies depicting individuals in crisis and the successes and failures that occurred in their treatment. Topics range from depression to schizophrenia, bipolar disorder to dreams, dissociative states to suicidality. Throughout is an emphasis on the underlying essence of humanity demonstrated in even the most extreme cases of psychological and emotional disturbance, and both the surprising highs and tragic lows of the search for the inner truth of a life – that of the analyst as well as the patient.

Searingly honest, beautiful, and full of fragile urgency, The Myth of You and Me is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend. When Cameron was fifteen, Sonia was her best friend—no one could come between them. Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet. When an unexpected letter arrives from Sonia ten years after the incident that ended their friendship, Cameron doesn’t reply, despite Oliver’s urging. But then he passes away, and Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. Now without a job, a home, and a purpose, Cameron decides to honor his request, setting off on the road to find this stranger who was once her inseparable other half. The Myth of You and Me, the story of Cameron and Sonia’s friendship—as intense as any love affair—and its dramatic demise, captures the universal sense of loss and nostalgia that often lingers after the end of an important relationship.