Semiotics is an interdisciplinary field of research and Beckett s theatre is one which engages a large spectrum of subjects and concerns that touch upon multiple aspects of human experience. The Beckettian dramatic text, as shall be demonstrated in this book, is a fertile ground for a semiotic investigation that is orchestrated by the profound insights of C. S. Peirce. As it applies semiotics to Beckett s theatre, this book seeks to preserve, communicate and throw into relief those universal values in the playwright s works which remain unchallenged despite every change and every revolution in human societies. What this book will hopefully contribute to the general canon of theatrical studies is its study of the Beckettian dramatic text not as a model of the absurd tradition, but rather as a cultural product whose writer's thinking can scarcely be dissociated from the cultural environment within which it took shape, and whose deciphering requires the use of cultural codes and sub-codes which will undergo detailed examination in the course of analysis, a study that we may so generically call a cultural semiotic study of Beckett.

This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.

Theatre on Trial is the first full-length analysis of Samuel Beckett's later drama in the context of contemporary theatre. Audrey McMullan employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, voyeurism, gender and the ideology of stage and TV space. Her application of deconstruction and psychoanalytic feminism to Beckett's work will break new and exciting ground.

A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.

Contents: Keir ELAM: Catastrophic mistakes: Beckett, Havel, the end. Wouter OUDEMANS: En attendant. Mary BRYDEN: Balzac to Beckett via God(eau/ot). Catharina WULF: At the crossroads of desire and creativity: a critical approach of Samuel Beckett's Television Plays "Ghost Trio," ..".but the Clouds..." and "Nacht und Traume." Rod SHARKEY: Singing in the last ditch: Beckett's Irish Rebel Songs. Ralph HEYNDELS: Tenace trace toujours trop de sens deja la. Beckett, Adorno et la modernite. Giuseppina RESTIVO: The genesis of Beckett's "ENDGAME" traced in a 1950 holograph. Serge MEITINGER: La spirale de lecriture, D'"IGITUR" AU DERNIER BECKETT. Lance ST. JOHN BUTLER: Two darks: A Solution to the problem of Beckett's Bilingualism.

Cameroon’s composite state of postcoloniality inevitably burdened it with a linguistic and pedagogic culture that changed the eager student into a centripetal mimic of the colonial imagination. Recent events in the country, especially relating to the Anglophone Problem, have spotlighted the need to revisit this space, which has been over-politicised into what Anglophone Cameroonians see as a state of hypnosis. Given the clash between postcolonial consciousness and the globalizing forces of late capitalism, a necessary meeting point had to be negotiated in linguistic and pedagogic contexts, to (re)affirm the identity problematic in Cameroon, and in the interpretation of colonial voices in literary texts. Bordered Identities in Language, Literature, and Culture: Readings on Cameroon and the Global Space offers a variegated reflection on these issues, and simultaneously responds to increasing demands to re-negotiate identity beyond mega frames of Empire, based on contextual data that combine indigenous and globalising imperatives.

Jiří Veltruský (1919–1994) publikoval mnoho dílčích článků o sémiotice divadla, ale až na sklonku života se pokusil své poznatky, vycházející z pojetí Pražského lingvistického kroužku, shrnout do komplexní teorie. Ačkoliv dílo nebylo dokončeno, jeho rozsah umožnil posmrtně je rekonstruovat a v anglické verzi předložit odborné veřejnosti.