Federico Garcia Lorca is perhaps the most celebrated of all twentieth-century Spanish writers, known not only for his plays but also for several collections of poems published both in his short lifetime and after. Lorca's poetry is steeped in the land, climate, and folklore of his native Andalusia, though he writes memorably of New York and Cuba too. Writing often in modernist idiom, and full of startling imagery, he evokes a world of intense feelings, silent suffering, and dangerous love. This unique parallel-text edition balances poems from Lorca's early collections with his better-known later work, providing a clear vision of his poetic development and drawing attention to the brilliance and originality of some of the earlier work. Key poems from all Lorca's collections appear here, including the recently discovered Sonnets of Dark Love. Martin Sorrell's translations are thoughtful and accomplished, and D. Gareth Walters's shrewd Introduction, with its distinctive focus on the achievements of the poet, gives a clear and balanced appraisal of the poetry, while steering away from the tendency to mythologize Lorca's life and death. This edition also includes helpful notes, a bibliography, a chronology, and an index of titles."

The landmark poetry of Federico García Lorca in a bilingual edition and introduced by Pulitzer Prize winner W. S. Merwin.

This first English-language edition of Federico Garcia Lorca's Selected Letters presents an intimate autobiographical record of the Spanish poet from the age of twenty to a month before his death at the hands of Franco's forces in 1936. "I was born for my friends," Lorca wrote to Melchor Fernández Almagro in 1926, and these letters reveal the personality his friends found so magical. ("A happiness, a brilliance..." Pablo Neruda called him.) Lorca was by turns sympathetic, generous, demanding, whimsical, insecure, and always lyrical. Over the nineteen years covered in this selection, he maintained a correspondence with his closest friends, particularly his childhood companion Melchor Fernández Almagro and his fellow poet Jorge Guillén, and wrote in concentrated bursts to many others. He could be playful with Salvador Dali's younger sister Ana Maria; deferential to composer Manuel de Falla; lively and descriptive with his family; and exasperating to Barcelona critic Sebastian Gasch as he poured out literary plans and solicited favors, ever impassioned but good-natured. With their frequent enclosures of poems and scenes from plays, the letters also chronicle Lorca's growth as an artist, from self-doubting romantic dilettante to confident, internationally respected playwright and poet. Begun at Columbia University under the aegis of Lorca's brother, Francisco Garcia Lorca, the translation and selection of these letters has been made by David Gershator, poet, teacher, and co-founder of the Downtown Poets Co-op. Dr. Gershator has also provided an informative biographical introduction.

The passionate life and violent death of Federico Garcia Lorca (1898–1936) retain an enduring fascination for readers around the world. Murdered by Nationalists at the outset of the Spanish Civil War, Lorca died at the peak of his creative powers. He remains his country's most widely translated writer, surpassed only by Cervantes in terms of critical commentary. This selection includes 55 of the 68 poems that comprised Lorca's 1921 Libro de poemas, all of them in their entirety and in their original sequence. Imbued with the spirit and folklore of the poet's native Andalusia, these verses feature the most complex spiritual content of any of Lorca's works. Editor Stanley Appelbaum provides sensitive, accurate English translations on the pages facing the original Spanish, as well as an informative introduction to the author's life and oeuvre, plus notes on the individual poems. An outstanding resource for students and teachers of Spanish language and literature, this compilation will enchant any lover of poetry.

A revised edition of this major writer's complete poetical work And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca was the most beloved poet of twentieth-century Spain and one of the world's most influential modernist writers. His work has long been admired for its passionate urgency and haunting evocation of sorrow and loss. Perhaps more persistently than any writer of his time, he sought to understand and accommodate the numinous sources of his inspiration. Though he died at age thirty-eight, he left behind a generous body of poetry, drama, musical arrangements, and drawings, which continue to surprise and inspire. Christopher Maurer, a leading García Lorca scholar and editor, has brought together new and substantially revised translations by twelve poets and translators, placed side by side with the Spanish originals. The seminal volume Poet in New York is also included here in its entirety. This is the most comprehensive collection in English of a poet who—as Maurer writes in his illuminating introduction—"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."

Selected verse from the poet who "expanded the scope of lyric poetry" (Rafael Campo, The Washington Post). The work of Federico García Lorca, Spain's greatest modernist poet, has long been admired for its emotional intensity and metaphorical brilliance. The revised Selected Verse, which incorporates changes made to García Lorca's Collected Poems, is an essential addition to any poetry lover's bookshelf. In this bilingual edition, García Lorca's poetic range comes clearly into view, from the playful Suites and stylized evocations of Andalusia to the utter gravity and mystery of the final elegies, confirming his stature as one of the twentieth century's finest poets.

A unique gathering of poems by two great twentieth-century poets, with the original Spanish versions and powerful English translations on facing pages. In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.