Muhammad Sir Iqbal's 'The Secrets of the Self' (Asrar-i Khudi) is a profound philosophical poem that delves into the complexities of self-discovery and self-realization. Written in a poetic yet engaging style, the book blends Eastern mysticism with Western philosophy, exploring themes of identity, introspection, and personal growth. Iqbal's literary context as a prominent figure in Indo-Persian literature shines through in the intricate symbolism and deep metaphors used throughout the work, appealing to both poetry enthusiasts and philosophical minds alike. Asrar-i Khudi is a timeless piece that challenges readers to question their own understanding of the self and the world around them, inviting profound contemplation and introspection. Through his poetic verses, Iqbal invites readers on a journey of self-exploration and enlightenment, encouraging them to uncover the hidden secrets of their own existence. I recommend 'The Secrets of the Self' to anyone seeking a thought-provoking and spiritually enriching read that transcends cultural and philosophical boundaries.

The Secrets of the Self is a book-length, philosophical poem rooted in metaphysical thought and ideology, as well as Islamic theology. Originally published in 1915, the poem speaks of the "Self" in relation to the universe, how it is the inner power and soul of each individual human. It instructs on how to improve the Self through Love and willpower, which can then help one control the forces within the universe. The poem includes stories that illustrate its points and promotes the spread of Islamic ideals. MUHAMMAD IQBAL (1877-1938) was a poet, prophet, and politician in British India. Born in Sialkot, Punjab, Iqbal converted to Islam with his family as a child. He studied literature and law at Cambridge, Munich, and Heidelberg before starting his own law practice and concentrating on his scholarly writing, which he authored primarily in Persian. Many of Iqbal's works promote Islamic revival, especially in South Asia, and he was a well-known leader of the All India Muslim League. Today, he is recognized as the official poet of Pakistan, and his birthday is celebrated as a national holiday.

Decolonization and Anti-colonial Praxis presents research on contemporary forms of decolonization and anti-colonialism in practice. It pertains to the ways in which individuals, groups, and communities engage with the logic of epistemic colonial power within areas of citizenship, migration, education, Indigeneity, language, land struggle, and social work. The contributions in this edited volume empirically document the conceptual and bodily engagement of racialized and violated individuals and communities as they use anti-colonial principles to disrupt criminalizing institutional discourses and policies within various global imperial contexts. The terms ‘Decolonization’ and ‘Anti-colonialism’ are used in diverse and interdisciplinary academic perspectives. They are researched upon and elaborated in necessary ways in the theoretical literature, however, it is rare to see these principles employed in applied forms. Decolonization and Anti-colonial Praxis provides a much needed contemporary and representative reclamation of these concepts from the standpoint of racialized communities. It explores the frameworks and methods rooted in their indigeneity, cultural history and memories to imagine a new future. The research findings and methodological tools presented in this book will be of interdisciplinary interest to teachers, graduate students and researchers. Contributors are: Harriet Akanmori, Ayah Al Oballi, Sevgi Arslan, Jacqueline Benn-John, Lucy El-Sherif, Danielle Freitas, Pablo Isla Monsalve, Dionisio Nyaga, Hoda Samater, Rose Ann Torres, Umar Umangay, and Anila Zainub.

* * * In his two most famous poems, Muhammad Iqbal sets out to reconcile the vacuum between Man and God with his philosophy and vision intricately woven in this epic dialogue * * * Besides other translations out there, this book aims to provide a more literal and detailed analysis that will appeal to the young and old readers alike. Read on to gain a better understanding of arguably Iqbal's best works and discover why he was named The Poet of the East as this iconic dialogue incites a feeling of pride and re-connection to one's Self.

Excerpt from The Secrets of the Self (Asrar-I Khudi): A Philosophical Poem And after Persian fashion he invokes the Saki to fill his cup with wine and pour moonbeams into the dark night of his thought. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

For most Urdu speakers in the Indian subcontinent, Iqbal has long been one of the most loved and admired poets. Much has been written about his poetry and philosophy . This book stays away from his politics. Iqbal first received recognition in the West in 1920 when his translation of Asrar-e-Khudi by R. A. Nicholson (The Secrets of the Self) first appeared. Most of the recurring criticism was on his concept of Khudi which Iqbal addressed then and later, explaining the basic nature of influence of much older Sufi philosophy on khudi versus Nietzsches bermensch. Several authors, both from the subcontinent and the West, have translated Iqbals poetry before, and in this book have highlighted the positive outcomes over some controversies and confusion. This book presents translation of well over 150 of Iqbals Urdu poems from Kuliyaath-e-Iqbal and about 30 or so from Payam-e-Mashriq (PM), in Persian. Iqbal offered PM as a response to Goethes West-stlicher Diwan, in German. Goethe had long been interested in Eastern (rather, Middle Eastern) culture and his Divan was inspired by the fourteenth-century Persian poet Hafez/Hafiz/Hafis, which also involved some literary traverse through a different religio-philosophical territory. Translation from Urdu or Persian to English across a vast cultural, prosodic, and linguistic gulf presents enormous problems. Section On Translation discusses some of these issues. Although Iqbals philosophy has been covered from by many others before, some of Iqbals own explanation of Khudi in a larger historical Sufi context are discussed here. In addition, Iqbals own contribution to what Goethe called Weltliteratur (or world literature), is recognized in PM (mostly) and elsewhere in his Urdu Kuliyaath. Iqbal not just brought various Western themes and figures to Urdu literature, but presented them, with his own comments and interpretation, to a readership that may have been largely unfamiliar with these Western themes. The Appendices include important recognition Iqbal received in Germany.