From the best-selling author of 'Desperadoes' and 'Cowboys and Indians', comes a humorous view of contemporary Irish life. 'The Secret World of the Irish Male' is a headlong, lovestruck tour of the frustrations and contradictions of being Irish in the 1990s.

The author of Desperadoes and Cowboys and Indians directs his acid humour upon contemporary Irish life at home and abroad. The result is a headlong, love-struck, end-of-millenium, coast-to-coast tour of the frustrations, contraditions and giddying glories of being Irish in the 1990s.

The Irish Male at Home and Abroad is the hilarious sequel to Joe O'Connor's bestseller The Secret World of the Irish Male. From flirting lessons in downtown Manhattan to being offered a good ride in Disneyland by the now legendary Wanda, it was a long, strange and hilarious trip. Now, in The Irish Male at Home and Abroad, O'Connor returns faster, funnier and filthier than ever before. Impersonating Santa Claus in a busy Dublin store on Christmas Eve, spending a penny in Lord Jeffrey Archer's penthouse loo, traipsing the local-radio publicity circuit in 100-degree Australian heat, on the run in revolutionary Nicaragua, contemplating the Shroud of Turin, or making a deposit in a grotty sperm bank - here are tall tales and short stories: absurd, anarchic and unforgettably side-splitting adventures from home and abroad. Laugh-out-loud funny, yet always affectionate and sometimes poignant, O'Connor roams through an Ireland of wife-swapping sodomites and late-night sodalities, when not getting lost in the restless new Europe of beach holidays, terrible beauties and Baywatch lookalikes. It's going to be another weird and uproarious trip. But like Wanda once said: Hitch a ride, sweetheart, and hang on real tight!

A selection of the best from the author's hilarious take on the world of the Irish male. From love, rock 'n' roll and football, to trivial matters such as the search for international peace and the craving for philosophical enlightenment, it features snapshots that presents a hilarious portrait of contemporary Irish life, both at home and abroad.

O'Connor shares his insights into an array of universal topics, such as: Interpersonal Communication: On successful chat-up lines; Literature: There's One Yawn Every Minute [On book awards]; Women's Studies: The Irish Male -- A User's Manual; International Book Fairs: Fondling Foreigners in Frankfurt; Nutritional Science: Tongue-Fu for Beginners - Food and Sex; British Geography: The Beautiful Norf [Exploring Finsbury]. So join the Irish Male's on his final heart-stopping ride towards the dawn of the new cyberia. Because God knows -- he needs your company.

From the bestselling author of Star of the Sea and Shadowplay, 'a powerful, moving adventure of raw fate and betrayed love' (Independent on Sunday). Inspector Martin Aitken's life is a mess. He's divorced, his career's in chaos, and the last thing he needs this Christmas Eve is a strange woman collapsed on a Dublin street. Ellen Donnelly is a woman on a mission, coming to Ireland to find her mother and escape her marriage. Dr Milton Amery, a New York plastic surgeon, is her unfaithful husband. The three are beginning new journeys, each of which lead to Inishowen. 'A page-turner, full of compassion, laughter and zest for the human condition' Irish Times 'Tremendous... A love story, a realistic thriller and an account of grief and loss' Spectator

From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known contemporary writers like Sebastian Barry or Robert McLiam Wilson, is the continual questioning of Irish identity - Irishness - going from its colonial paradigm and stereotype of the subaltern in MacGill, to its uneasy implications for gender representation in the contemporary novel and the contemporary drama. A subsidiary theme inextricably linked to the identity problematic is that of exile and its radical heritage for all Irish writing irrespective of its different genres. Sub-Versions offers a cross-cultural and trans-national response to the expanding interest in Irish and postcolonial studies by bringing together specialists from different national cultures and scholarly contexts - Ireland, Britain, France and Central Europe. The order of the essays is by genre. This study is aimed both at the general literary reader and anyone particularly interested in Irish Studies.