In The Secret Struggles of Kitigan Zibi Anishinabeg Leaders, Anny Morissette examines Kitigan Zibi Anishinabeg actors’ political resistance to the Canadian government amidst threats to the tribe’s traditional political structures. Morissette traces the Anishinabeg political identity through the preservation of traditional, spiritual, and symbolic influences, which have endured despite colonial disruptions. Morissette highlights daily forms of resistance, Indigenous narratives, and tactics of political power from the margins, demonstrating how Anishinabeg actors continue to defy political oppression.

For a growing number of people, democracy has become synonymous with broken promises and abandoned commitments. Governments everywhere are not listening to their citizens’ concerns on matters of fundamental importance. As a result, ordinary men and women of all political persuasions are demanding transformations, not just to government policies, but to the methods of governance themselves. They realize that in the periods between general elections, they have great difficulty having their voices heard, because they have no formal role in constructing political agendas. This book focuses on one way to address this problem, by establishing a continual dialogue between individuals and their governments, hence forcing politicians to constantly pay attention to “the people.” Larry Patriquin argues for the creation of permanent citizens’ assemblies, which would be charged with examining issues of public concern and giving advice to governments. For those troubled by our current democratic impasse, Permanent Citizens’ Assemblies: A New Model for Public Deliberation will give hope that practical reforms are possible and that new institutions can become effective components of governance in nations across the globe.

Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co

A new way of thinking about data science and data ethics that is informed by the ideas of intersectional feminism. Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In Data Feminism, Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever “speak for themselves.” Data Feminism offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But Data Feminism is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.

For more than 150 years, thousands of Indigenous children were taken from their families and sent to residential schools across Canada. Artist Carey Newman created the Witness Blanket to make sure that history is never forgotten. The Blanket is a living work of art—a collection of hundreds of objects from those schools. It includes everything from photos, bricks, hockey skates, graduation certificates, dolls and piano keys to braids of hair. Behind every piece is a story. And behind every story is a residential school Survivor, including Carey's father. This book is a collection of truths about what happened at those schools, but it's also a beacon of hope and a step on the journey toward reconciliation.