Sarah-Jane Quinn has many secret dreams: to own the bed-and-breakfast inn where she stayed as a child; to finally capture the elusive Coleridge "Collie" Tate, on whom she has an enormous crush; and most importantly, to be someone's top priority for once in her life.But Collie is a single father with a potential custody battle on his hands, and Sarah ranks roughly Number 917 on his list of concerns. So when Gus Haldemann, the sophisticated director of Human Resources, shows a marked interest in her, she finds it not only flattering (and mystifying), but tempting and irresistible.And then Sarah is brutally attacked by a violent stalker. In the aftermath, she must re-evaluate her priorities and decide which man reaches deepest into her heart and let the other go forever.

A tragic accident took everything that mattered to Rome Matthews — his wife, Diane, and their two little boys. And it robbed Sarah Harper of her best friend. In the two years since the tragedy, Sarah has wanted to reach out to Rome, but she knew she needed to stay away, guarding the secret she had kept from him and Diane all those years — that she was in love with her best friend's husband. But now Rome needs her. And though another woman will hold his heart forever, Sarah agrees to be his wife, knowing that everything has a price, including love. Then something totally unexpected rekindles her hidden hope that a marriage of convenience will become a union of love. Will Rome keep fighting his own growing need for a woman who dares him to believe there are second chances in life…or will he give in to the healing power of love and miracles?

To Snare a Bride . . . To Gabriel Devine, Duke of Wolverest, the bonds of marriage are nothing more than shackles. But if he's to remain a lifelong bachelor, that leaves only his younger brother to carry on the family name. Inviting the ton's most eligible ladies to an elegant ball, Gabriel is certain any one of them would be all too eager to become the next duchess and provide an heir—leaving Gabriel to continue his ecstatic pursuit of pleasure. To Catch a Rogue . . . Her social-climbing stepmother would give anything to have Madelyn Haywood betrothed to a future duke. But Madelyn believes the brothers Devine to be nothing more than heartless rogues—especially Gabriel, whose rakish reputation precedes him. He is nothing more than a slave to passion, and she will not be conquered by his caresses­—and yet his wicked ways tempt her so . . .

"A scintillating debut from a major new voice in fiction, alive with music, sex, and fame, Songs in Ursa Major is a love story set in 1969 at the crossroads of rock and folk, for fans of Daisy Jones & The Six"--

In 1996, a groundbreaking television drama debuted on the Fox network. Created by Chris Carter, Millennium tells the story of Frank Black (Lance Henriksen), a legendary forensic profiler gifted with the ability to see into the minds of killers. Through his work as a consultant with the F.B.I. and the mysterious Millennium Group, the series offers a thoughtful exploration of the nature and manifestations of evil in the modern world. Back to Frank Black offers an unprecedented volume of material exploring this landmark series. With forewords from Lance Henriksen and Frank Spotnitz and an introduction by series creator Chris Carter, the collection features interviews with cast and crew as well as in-depth essays analyzing Millennium's characters, themes, and enduring legacy. Inspired by the growing movement to return this iconic hero to the screen, Back to Frank Black finds its focus in an incomparable figure of hope: Frank Black. We need him now more than ever.

Sir Richard Kenworthy has less than a month to find a bride. He knows he can't be too picky, but when he sees Iris Smythe-Smith hiding behind her cello at her family's infamous musicale, he thinks he might have struck gold. She's the type of girl you don't notice until the second—or third—look, but there's something about her, something simmering under the surface, and he knows she's the one. Iris Smythe–Smith is used to being underestimated. With her pale hair and quiet, sly wit she tends to blend into the background, and she likes it that way. So when Richard Kenworthy demands an introduction, she is suspicious. He flirts, he charms, he gives every impression of a man falling in love, but she can't quite believe it's all true. When his proposal of marriage turns into a compromising position that forces the issue, she can't help thinking that he's hiding something . . . even as her heart tells her to say yes.

Now streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil's sharp and thrilling sequel to Get Even. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. The members of Don't Get Mad aren't just mad anymore . . . they're afraid. And with Margot in a coma and Bree under house arrest, it's up to Olivia and Kitty to try to catch their deadly tormentor. But just as the girls are about to go on the offensive, Ed the Head reveals a shocking secret that turns all their theories upside down. The killer could be anyone, and this time he—or she—is out for more than just revenge. The girls desperately try to discover the killer's identity as their own lives are falling apart: Donté is pulling away from Kitty and seems to be hiding a secret of his own, Bree is sequestered under the watchful eye of her mom’s bodyguard, and Olivia's mother is on an emotional downward spiral. The killer is closing in, the threats are becoming more personal, and when the police refuse to listen, the girls have no choice but to confront their anonymous “friend” . . . or die trying.