Mixing with local people and speaking their dialects when such behaviour was considered taboo among the English, empathizing with his workers and the villagers, answering their distress call at all times-this is the other side of the fearless hunter, famous conservationist, and at times rational trophy collector. The current volume brings together a selection of Corbett's writings which reveal the full flair of his personality-his hunting prowess, as also his closeness to the people and the land where he grew up.

This is a richly illustrated anthology of the great hunter and conservationist's best writing, selected from his many popular works. The collection is meant to represent all phases of the great tiger hunter's life and adventures.

From presenting, in Elwin's own words, the account of his going to work among the tribal peoples of central India, to affording glimpses of his seminal work on the unique institution of the ghotul among the Murias of Bastar, or relating Elwin's attempts at understanding the high incidence of murder and suicide among the Bison-horn Marias of Bastar, The Oxford India Elwin looks beyond the general and the oft-repeated to include within its covers the many fascinating discoveries that Verrier Elwin made while working among the different tribal communities in India. While the Introduction to Folk Songs of the Maikal Hills discusses the principles of translating folk poetry, the importance of the elements of nature, magic, the supernatural, and song and dance in tribal life is highlighted through selections from The Myths of Middle India. Whether providing glimpses of Elwin's travels in the remote Northeast, or discussing the effects of 'civilization' on tribal art, or describing the Naga people and their customs, or presenting the myths of the NEFA region, the effort is to bring the man, his thoughts and actions, the contributions he made towards upholding and preserving the cultural diversity of the Subcontinent, closer to readers through a single volume which will be both accessible and affordable. The book will be a valuable addition to the Oxford India Collection which includes the writings of Ghalib, Premchand, Ramanujan, Nehru, and Gandhi. Armed with a useful and perceptive Introduction by G.N. Devy, this edition will appeal to all those who know and adore Elwin, as also students and researchers of anthropology, cultural studies, and Indian history.

The science of ecology as a faculty of study deals extensively with myriad aspects related to fundamental elements existing in the universe. Along with various aspects, manages cooperation between singular living beings and their surroundings, which incorporates connections with both nonspecific and individuals from different species. The interaction amplifies proportion and ratio of enquiry into relationship among various elements existing in environment and their interlinking; the aspect has proved to be beneficial in terms of internalizing characteristic features and delineate explicit patterns of ecology

Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies.