SCOOTER KING UNDERSTANDS illusions. In the midst of the Roaring Twenties, he performs them behind the scenes at his mother’s séances, giving the impression that Madam King communicates with the dead. Scooter also admires Harry Houdini and can hardly wait to see the famed magician escape from his razzle-dazzle Burmese Torture Tank. But when Scooter stumbles upon a dead body in the visiting Houdini’s tank, it’s no illusion. Who could the murderer be? And did he—or she—kill the right person? As Scooter sets out to unmask the killer, the mysterious worlds of mediums, séances, and magic are revealed. No one is above suspicion, and appearances are deceiving. If Scooter doesn’t sort out the clues—and fast—he may end up as the next dead body. From the Hardcover edition.

“An electrifying Victorian ghost story” from the International Horror Guild Award-winning author of The Asylum (The Seattle Times). “Sell the Hall unseen; burn it to the ground and plow the earth with salt, if you will; but never live there . . .” Constance Langton grows up in a household marked by death, her father distant, her mother in perpetual mourning for Constance’s sister, the child she lost. Desperate to coax her mother back to health, Constance takes her to a séance: perhaps she will find comfort from beyond the grave. But the meeting has tragic consequences. Constance is left alone, her only legacy a mysterious bequest that will blight her life. So begins The Séance, John Harwood’s brilliant second novel, a gripping, dark mystery set in late-Victorian England. It is a world of apparitions, of disappearances and unnatural phenomena, of betrayal and blackmail and black-hearted villains—and murder. For Constance’s bequest comes in two parts: a house and a mystery. Years before, a family disappeared at Wraxford Hall, a decaying mansion in the English countryside with a sinister reputation. Now the Hall belongs to Constance. And she must descend into the darkness at the heart of the Wraxford Mystery to find the truth, even at the cost of her life. “Harwood has written a true gothic, and invented a supremely creepy house to stage it in.”—Salon “Wilkie Collins would be proud: this is a Victorian world of mesmerism and spirits, vapours and delirium, doomed inheritances, shivery maids and spooky visitations in the night.”—Times (UK) “Perfect fare for a standard dark and stormy night.”

Constance takes her grieving mother to a séance which leads to tragic consequences and a legacy that will blight her life.

Translated by from Yiddish by Roger H. Klein and others.

Ninth grade can be a nightmare when you don’t fit in at school, your crush chooses someone else, and your parents tell you they’re having a new baby. Abby was prepared for normal high school problems. She wasn’t prepared for a demon. Abby has always been fascinated by the paranormal, but after an ill-fated séance, she discovers not all Spirits are benign. A dark entity unleashed during the summoning sets out to destroy Abby, and within days, she loses her best friend, incurs the wrath of her parents, and becomes a prisoner in her own home. With time quickly running out, she assembles an unlikely group of helpers: the most hated guy in school, a retired psychic, and the cute clerk from her favorite bookstore. Unless the demon is defeated, Abby and her new baby brother won’t stand a chance.

Engaging, charming, and smart, The Séance Society by Michael Nethercott is a fresh take on the traditional mystery genre for readers who love original characters, witty dialogue, and a great whodunit. It's 1956, and Lee Plunkett has taken over the family business as a private investigator despite his reluctance to follow in his father's footsteps. When murder intrudes on a group of ghost seekers, Lee is asked to solve the case by a cop on the verge of retirement. At the urging of his perpetual fiancée Audrey, Lee enlists the help of Mr. O'Nelligan, a scholarly Irishman with a keen eye for solving mysteries. The duo is drawn into a murder investigation involving the "Spectricator," a machine designed to communicate with the dead. Soon, Plunkett and O'Nelligan are knee-deep in a suspect pool that includes a surly medium, a former speakeasy queen, a mysterious Spanish widow, and a whole slew of eccentric servants. "Nethercott's debut sparkles with a mix of W.B. Yeats and Elvis quotations, well-placed red herrings, and an endearing trio of protagonists."—Library Journal "This clever series opener offers a mid-century take on the traditional drawing-room mystery... There is a sweet charm to this mystery, ensuring that readers will want to see more from O'Nelligan and Plunkett."—Booklist "A classically styled Holmesian whodunit."—Publishers Weekly

In the 1920s and ’30s, people gathered in darkened rooms to explore the paranormal through seances. They were motivated by grief, spiritual devotion, or a desire to be entertained. Beth A. Robertson resurrects the story of a small transnational group and their quest for objective knowledge of the supernatural, casting new light on how science, metaphysics, and the senses collided to inform gendered norms in this era. Robertson draws back the curtain to reveal a world inhabited by researchers, spirits, and spiritual mediums. Representing themselves as masters of the senses, untainted by the effeminized subjectivity of the body, psychical researchers in Canada, the UK, and the US believed that they could use machines and empirical methods to transform the seance into a laboratory of the spirits and a transnational empirical project. However, mediums and ghostly subjects could and did challenge their claims to scientific expertise and authority.