Situated on a ten-mile stretch of rugged Northern California coastline, The Sea Ranch was conceived as a retreat from urban living with connection to nature as a guiding principle. This striking book examines the development of the site's master plan and iconic early designs through sketches, drawings, and contemporary and archival photographs of its astonishing landscapes and distinctive timber-framed structures. A collection of essays that consider The Sea Ranch in relation to popular leisure destinations and within the context of the architectural history of California are accompanied by conversations with designers and others associated with the project from its inception. This book showcases the exemplary balance between land stewardship and modernist architecture that has made The Sea Ranch a model for living in harmony with nature. Exhibition: San Francisco Museum of Modern Art, USA (2018 December 22-2019 April 28).

One hundred miles north of San Francisco, the Sonoma County coast meets the Pacific Ocean in a magnificent display of nature. This is the location of the Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings and interspersed with award-winning architecture. The ecologically inspired plan drawn up for the Sea Ranch in the mid-1960s caused a quiet revolution in architecture. Renowned landscape designer Lawrence Halprin's master plan incorporated a set of building guidelines that structured the visual, as well as physical, impact upon the landscape. Subsequent buildings by architects such as Joseph Esherick, Charles Willard Moore, Donlyn Lyndon, and William Turnbull have been recognized worldwide for their remarkable environmental sensitivity. This revised and updated edition of the now-classic monograph, the only one on the Sea Ranch, contains eleven additional projects and an updated account of the ongoing development process and land-management issues.

This guide will introduce you to the vision, life, and culture that is The Sea Ranch. To help you understand our core philosophy and to give you a sense of what it is like to be part of this remarkable community, here is Living at The Sea Ranch, written in friendship by current owners.

Originally published: New York: Holt, Rinehart and Winston, c1974.

As the twentieth century draws to a close, the desire for communities that offer an improved quality of life - where the pedestrian is as viable as the motorist; where the architecture is varied, human-scaled, and responsive to its environment; where residents can find privacy yet enjoy the company of their neighbors - has taken on a particularly significant urgency. As Richard Sexton convincingly documents in Parallel Utopias, two special places - The Sea Ranch in Northern California and Seaside in the Florida panhandle - have arrived at two unique solutions in the search for the ideal community. A lively introductory essay outlines the nature of this archetypal quest, followed by an engaging discussion of the philosophy, architecture, history, and character of both communities. Sexton's sumptuous full-color photographs tour each community in detail, from their built environment and the surrounding dramatic coastal landscape to the furnishings residents have chosen for their homes. In their contributing essays, urban sociologist Ray Oldenburg analyzes with piercing clarity the evolution and contradictions of our contemporary communities, and architect William Turnbull, Jr., lucidly examines the role of the architect in shaping viable living spaces.

A major urban history of the design and development of postwar San Francisco Designing San Francisco is the untold story of the formative postwar decades when U.S. cities took their modern shape amid clashing visions of the future. In this pathbreaking and richly illustrated book, Alison Isenberg shifts the focus from architects and city planners—those most often hailed in histories of urban development and design—to the unsung artists, activists, and others who played pivotal roles in rebuilding San Francisco between the 1940s and the 1970s. Previous accounts of midcentury urban renewal have focused on the opposing terms set down by Robert Moses and Jane Jacobs—put simply, development versus preservation—and have followed New York City models. Now Isenberg turns our attention west to colorful, pioneering, and contentious San Francisco, where unexpectedly fierce battles were waged over iconic private and public projects like Ghirardelli Square, Golden Gateway, and the Transamerica Pyramid. When large-scale redevelopment came to low-rise San Francisco in the 1950s, the resulting rivalries and conflicts sparked the proliferation of numerous allied arts fields and their professionals, including architectural model makers, real estate publicists, graphic designers, photographers, property managers, builders, sculptors, public-interest lawyers, alternative press writers, and preservationists. Isenberg explores how these centrally engaged arts professionals brought new ideas to city, regional, and national planning and shaped novel projects across urban, suburban, and rural borders. San Francisco’s rebuilding galvanized far-reaching critiques of the inequitable competition for scarce urban land, and propelled debates over responsible public land stewardship. Isenberg challenges many truisms of this renewal era—especially the presumed male domination of postwar urban design, showing how women collaborated in city building long before feminism’s impact in the 1970s. An evocative portrait of one of the world’s great cities, Designing San Francisco provides a new paradigm for understanding past and present struggles to define the urban future.